- BPM
- 107
- Key
- B Minor
- Camelot
- 10A
Kapitel 130 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag - David Allen, Jürgen Kalwa Information
- Acousticness
- 70%
- Danceability
- 68%
- Energy
- 29%
- Instrumentalness
- 0%
- Liveness
- 13%
- Loudness
- 64%
- Speechiness
- 86%
- Valence
- 87%
- Popularity
- 0%
- Loudness
- -21.552 dB
Summary
On 2011, the song "Kapitel 130 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" was released by David Allen, Jürgen Kalwa. The duration of Kapitel 130 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:11. Based on our data, "Kapitel 130 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 60 out of 210. In terms of popularity, Kapitel 130 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Kapitel 130 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag BPM
We consider the tempo marking of Kapitel 130 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Kapitel 130 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag Key
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Puccini: Il tabarro: "Segui il mio esempio - bevi!" (Il Tinca, Giorgetta, Il Talpa, La Frugola) | Giacomo Puccini, Riccardo Cassinelli/Enrico Fissore/Maria Guleghina/Elena Zilio/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | D Minor | 0 | 7A | 86 BPM | |
 | Nabucco / Act 2: Deh, fratelli, perdonate | Giuseppe Verdi, Anna D'Auria, Walter Krautler, Carlo Cava, Dora Carral, Bruno Prevedi, Giovanni Foiani, Tito Gobbi, Vienna State Opera Chorus, Vienna State Opera Orchestra, Lamberto Gardelli | E Major | 2 | 12B | 126 BPM | |
 | Mefistofele: Epilogue - Ave Signor - Odi il canto d'amor | Arrigo Boito, Riccardo Muti | E Major | 4 | 12B | 139 BPM | |
 | Mozart: Così fan tutte, K. 588, Act 1: "Non son cattivo comico" (Don Alfonso) | Wolfgang Amadeus Mozart, Otto Klemperer, Hans Sotin, New Philharmonia Orchestra | E Major | 2 | 12B | 78 BPM | |
 | Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIX. Pupillette, fiammette (Tempo di Minuetto) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew Rose | G Minor | 0 | 6A | 140 BPM | |
 | Kapitel 36 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag | David Allen, Jürgen Kalwa | D♭ Major | 2 | 3B | 83 BPM | |
 | Massenet: Manon, Act 2 Scene 2: "Je venais d'écrire à mon père" (Des Grieux, Lescaut, Manon, Brétigny) | Jules Massenet, Roberto Alagna, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels | B♭ Major | 2 | 6B | 81 BPM | |
 | Puccini: Turandot, Act 2: "No, no, Principessa, altera!" (Calaf, Coro, Altoum) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Michael Spyres, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 81 BPM | |
 | Don Carlo, Act I: Sotto ai folti (Coro di Dame/Tebaldo) | Giuseppe Verdi, Marilena Laurenza, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 89 BPM | |
 | Verdi: La traviata, Act 2: "Ah! Dite alla giovane" (Violetta, Germont) | Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI, Ugo Savarese | E♭ Major | 2 | 5B | 83 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.746112585067749
End: 0.7511701583862305