"Laudes animantium, Op. 61: No. 2, Scherzo. Calico Pie" by Kenneth Leighton, Londinium, Andrew Griffiths was released on May 19, 2023. The duration of Laudes animantium, Op. 61: No. 2, Scherzo. Calico Pie is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Laudes animantium, Op. 61: No. 2, Scherzo. Calico Pie's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 16 in Every Living Creature by Kenneth Leighton, Londinium, Andrew Griffiths. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Laudes animantium, Op. 61: No. 2, Scherzo. Calico Pie is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Laudes animantium, Op. 61: No. 2, Scherzo. Calico Pie by Kenneth Leighton, Londinium, Andrew Griffiths is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
Motett, "Stilla komme och välkomna vare dagens slut och lön!" | Sara Wennerberg-Reuter, St. Pauli Vokalensemble | F Minor | 3 | 4A | 91 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Heavenly Father | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 108 BPM | ||
Funeral Ikos | John Tavener, Owain Park, The Gesualdo Six | A♭ Major | 1 | 4B | 73 BPM | ||
Annelies (chamber version): IX. The dream | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | F Major | 0 | 7B | 68 BPM | ||
Regina cæli lætare | Peter Philips, Stile Antico | E♭ Major | 2 | 5B | 126 BPM | ||
Annelies (chamber version): VI. Courage | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | B Minor | 0 | 10A | 137 BPM | ||
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Vårsång | Wilhelm Peterson-Berger, Mats Nilssons Vokalensemble, Mats Nilsson | C Major | 0 | 8B | 108 BPM | ||
Missa Popularis: V. Agnus Dei | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | B Minor | 1 | 10A | 139 BPM |
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