"Bachianas brasileiras No. 2, "O trenzinho do Caipira": I. Preludio: O Canto do capadocio (Scamp’s Song)" by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn had its release date on November 15, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Villa-Lobos: Bachianas Brasileiras (Complete) by Heitor Villa-Lobos, Andrew Mogrelia, Kenneth Schermerhorn. The song's track number on the album is #4 out of 29 tracks. Based on our statistics, Bachianas brasileiras No. 2, "O trenzinho do Caipira": I. Preludio: O Canto do capadocio (Scamp’s Song)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas brasileiras No. 2, "O trenzinho do Caipira": I. Preludio: O Canto do capadocio (Scamp’s Song) by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Bachianas brasileiras No. 2, "O trenzinho do Caipira": I. Preludio: O Canto do capadocio (Scamp’s Song) being at 139 BPM, the half-time would be 70 BPM with a double-time of 278 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bachianas Brasileiras No. 5, W389 | Heitor Villa-Lobos, Jian Wang, Göran Söllscher | D Minor | 0 | 7A | 122 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
Czech Dances, Book 2, "Hulán" | Bedřich Smetana, Kathryn Stott | A Major | 0 | 11B | 68 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | ||
Sonata For Violin And Piano No.9 In A, Op.47 - "Kreutzer": 3. Finale (Presto) | Ludwig van Beethoven, Vadim Repin, Martha Argerich | E Major | 5 | 12B | 134 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 90 BPM | ||
Fantasy on Polish Airs, Op. 13: Largo non troppo | Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański | A Major | 0 | 11B | 81 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Game of Abduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 96 BPM | ||
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM |