"Agnus Dei pour choeur et l'Adagio du quatuor, Op. 11: "Agnus Dei" (Arr. for Cello and Strings Quintet)" by Samuel Barber, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs was released on February 26, 2016. Since Agnus Dei pour choeur et l'Adagio du quatuor, Op. 11: "Agnus Dei" (Arr. for Cello and Strings Quintet) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 17 in Cantus by Christian-Pierre La Marca, Alexis Kossenko. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Agnus Dei pour choeur et l'Adagio du quatuor, Op. 11: "Agnus Dei" (Arr. for Cello and Strings Quintet) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Agnus Dei pour choeur et l'Adagio du quatuor, Op. 11: "Agnus Dei" (Arr. for Cello and Strings Quintet) by Samuel Barber, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Werther: Pourquoi me réveiller (Arr. for Cello and Piano) | Jules Massenet, Christian-Pierre La Marca, Lise de la Salle | B Major | 0 | 1B | 64 BPM | ||
Habanera | Michel Portal, Christian-Pierre La Marca, Baptiste Trotignon | E Minor | 2 | 9A | 94 BPM | ||
Concerto for 2 Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Enrico Parizzi, Ludovico Minasi, Riccardo-Masahide Minasi, Thomas Boysen, Thor-Harald Johnsen, Valerio Losito, Rolf Lislevand | E♭ Minor | 1 | 2A | 125 BPM | ||
Suite pour violoncelle No.1 en sol majeur, BWV 1007: Praeludium | Johann Sebastian Bach, Christian-Pierre La Marca | G Minor | 3 | 6A | 200 BPM | ||
Le Carnaval du Parnasse, Act I Scene 4: 1er & 2ème Menuets | Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 4 | 4A | 141 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434 (arr. W. Kempff for piano): 7 Keyboard Suites, Set II, No. 1: IV. Menuet (arr. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Roland Pöntinen | G Minor | 0 | 6A | 67 BPM | ||
String Quartet in G Major: III. Capriccio poco allegro | Guillaume Lekeu, Quatuor Debussy | E Minor | 0 | 9A | 122 BPM | ||
Canzonetta, Op. 48 posth. | Samuel Barber, Stephane Rancourt, Royal Scottish National Orchestra, Marin Alsop | C Minor | 2 | 5A | 65 BPM | ||
Piano Trio No. 2 in E-flat Major, D.929, Op. 100: II. Andante con moto | Franz Schubert, Sonia Wieder-Atherton, Raphaël Oleg, Imogen Cooper | B♭ Major | 5 | 6B | 180 BPM | ||
Deux escargots s'en vont à l'enterrement | Joseph Kosma, Christian-Pierre La Marca | F Major | 0 | 7B | 121 BPM |
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