Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, I Barocchisti, Yuriy Mynenko, Daniel Behle, Concerto Köln's 'Vinci: Artaserse, Act 1: "Bramar di perdere troppo affetto" (Semira)' came out on September 28, 2012. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vinci: Artaserse by Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, Lugano, Coro della Radiotelevisione Svizzera, Yuriy Mynenko, Concerto Köln, Daniel Behle. The song's track number on the album is #15 out of 72 tracks. Vinci: Artaserse, Act 1: "Bramar di perdere troppo affetto" (Semira) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Vinci: Artaserse, Act 1: "Bramar di perdere troppo affetto" (Semira) by Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, I Barocchisti, Yuriy Mynenko, Daniel Behle, Concerto Köln has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Vinci: Artaserse, Act 1: "Bramar di perdere troppo affetto" (Semira) being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Catone in Utica / Act 1: "Perché sì mesto o padre? " | Leonardo Vinci, Juan Sancho, Valer Sabadus, Max Emanuel Cenčić, Il Pomo D'oro, Riccardo Minasi | B Major | 2 | 1B | 143 BPM | ||
V. Behalte nur, o Welt, das Meine! (Recitative) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Erika Tandiono | C Minor | 1 | 5A | 79 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Un Sarao de la Chacona | The Royal Wind Music, Capella Sancta María, Alfred Fernández | D♭ Major | 0 | 3B | 145 BPM | ||
Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | D♭ Minor | 3 | 12A | 155 BPM | ||
Alla tromba della Fama | Baldassare Galuppi, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 3 | 1B | 102 BPM | ||
Purcell: The Fairy Queen, Z. 629: Overture | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 0 | 10A | 78 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Che disse? Che ascoltai?" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | E♭ Minor | 3 | 2A | 113 BPM | ||
Concerto VIII in C Minor from 24 Concerti di Napoli for Recorder, 2 Violins and Basso Continuo: I. Vivace | Francesco Mancini, Barbara Heindlmeier, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM |
Section: 0.5653223991394043
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