Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo made "Overture No. 6 in B-Flat Major: III. Allegro" available on January 1, 2009. The duration of Overture No. 6 in B-Flat Major: III. Allegro is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Overture No. 6 in B-Flat Major: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Veracini, F.M.: Overtures and Concertos, Vol. 1 by Francesco Maria Veracini, Federico Guglielmo. The song's track number on the album is #3 out of 22 tracks. Based on our statistics, Overture No. 6 in B-Flat Major: III. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Overture No. 6 in B-Flat Major: III. Allegro by Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo has a tempo of 155 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Overture No. 6 in B-Flat Major: III. Allegro being at 155 BPM, the half-time would be 78 BPM with a double-time of 310 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 142 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | ||
Telemann: Tafelmusik, Pt. 3, Ouverture-Suite in B-Flat Major, TWV 55:B1: I. Ouverture. Lentement - Presto | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 2 | 11B | 130 BPM | ||
Sonata in E Major, Op. 5, No. 11 (arr. M. Dubourg and F.M. Veracini): I. Preludio: Adagio | Francesco Maria Veracini, Arcangelo Corelli, Matthew Dubourg, Stefan Temmingh, Olga Watts | E♭ Major | 1 | 5B | 76 BPM | ||
Trumpet Concerto in D Major, G. 28: V. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 2 | 3B | 114 BPM | ||
Sinphonia No. 6 for Strings & Continuo in E-Flat Major, Op. 1.12: I. Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E♭ Major | 2 | 5B | 105 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: II. Allegro | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Overture-Suite in D Major, TWV 55:D1: I. Ouverture: Lentement - Vite - Lentement | Georg Philipp Telemann, The English Concert, Trevor Pinnock | F♯ Minor | 3 | 11A | 118 BPM | ||
Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 135 BPM | ||
Concerto Armonico I: II. Allegro | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 3 | 3B | 115 BPM |
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