Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, John Lanchbery's 'Tchaikovsky: The Sleeping Beauty, Op. 66, TH 13, Prologue: No. 1a, Introduction' came out on June 2, 2008. The duration of Tchaikovsky: The Sleeping Beauty, Op. 66, TH 13, Prologue: No. 1a, Introduction is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Tchaikovsky: The Sleeping Beauty, Op. 66, TH 13, Prologue: No. 1a, Introduction's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Ballet, so we believe that "Tchaikovsky: The Sleeping Beauty, Op. 66, TH 13, Prologue: No. 1a, Introduction" is a single. Based on our statistics, Tchaikovsky: The Sleeping Beauty, Op. 66, TH 13, Prologue: No. 1a, Introduction's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tchaikovsky: The Sleeping Beauty, Op. 66, TH 13, Prologue: No. 1a, Introduction by Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, John Lanchbery is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM | ||
String Sextet in D Minor, Op. 70, "Souvenir de Florence": I. Allegro con spirito | Pyotr Ilyich Tchaikovsky, Jan Vogler | D Major | 2 | 10B | 109 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 122 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
Chopin: Nocturne No. 8 in D-Flat Major, Op. 27 No. 2 | Frédéric Chopin, Gabriela Montero | D♭ Major | 0 | 3B | 107 BPM |
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