Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack's 'Blitz, Op. 106: Blitz-Polka, Op. 106' had a release date set for April 20, 2003. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Blitz, Op. 106: Blitz-Polka, Op. 106's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Strauss, Josef: Edition - Vol. 24". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. The popularity of Blitz, Op. 106: Blitz-Polka, Op. 106 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Blitz, Op. 106: Blitz-Polka, Op. 106 by Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grainger: Mock Morris, "Room Music Tit-Bits, No. 1" (At fast jog trotting speed) | Percy Grainger, Sir Vivian Dunn, Light Music Society Orchestra | G Major | 2 | 9B | 92 BPM | ||
Rudolfsklange (Echoes of Rudolph), Op. 283 | Josef Strauss, Alfred Scholz, Kosice State Philharmonic Orchestra | E Minor | 1 | 9A | 118 BPM | ||
Riccardo Drigo: Serenade aus dem Ballett " Die Millionen des Harlekin " | Wiener Promenaden-Orchester, Hans Hagen | A Major | 1 | 11B | 140 BPM | ||
Melody in F, Op.3, No.1 - Arr. G. Saborow | Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | F Major | 2 | 7B | 85 BPM | ||
Ischler Walzer | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | A Major | 4 | 11B | 100 BPM | ||
Bizet: Carmen, WD 31: Prélude | Georges Bizet, Berliner Philharmoniker, Sir Simon Rattle | D Minor | 3 | 7A | 133 BPM | ||
Swan Lake, Op.20 - Mariinsky Version / Act 1: Scene 2: Scène. Moderato | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | E Minor | 2 | 9A | 87 BPM | ||
Chopin / Arr. Douglas: Les sylphides: Waltz, Op. 64 No. 2 | Frédéric Chopin, Philharmonia Orchestra, Robert Irving | D♭ Minor | 1 | 12A | 74 BPM | ||
Hungarian Dances Nos. 1 - 21, WoO 1: No. 19 In B Minor | Johannes Brahms, Berliner Philharmoniker, Paul van Kempen | E Major | 6 | 12B | 167 BPM | ||
Zigeunerbaron-Quadrille, Op. 422 | Johann Strauss II, Franz Welser-Möst, Wiener Philharmoniker | F Major | 2 | 7B | 135 BPM |