"Piano Concerto, Op. 20: II. Adagio (Live)" by Gottfried von Einem, Gerty Herzog, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1957. Since Piano Concerto, Op. 20: II. Adagio (Live) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 31 in the song's album "Salzburger Orchesterkonzerte 1957 (Live)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Piano Concerto, Op. 20: II. Adagio (Live) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto, Op. 20: II. Adagio (Live) by Gottfried von Einem, Gerty Herzog, Berliner Philharmoniker, Herbert von Karajan having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Excerpt) | Robert Schumann, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | A Minor | 0 | 8A | 86 BPM | ||
Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Die Harmonie der Welt Symphony: II. Musica Humana | Paul Hindemith, Yan Pascal Tortelier, BBC Philharmonic Orchestra | D♭ Major | 0 | 3B | 74 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Eventide: X. Fugato | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 67 BPM | ||
Der Prozeß, Op. 14, Pt. 2: Was treibt ihr denn hier | Gottfried von Einem, Max Lorenz, Erich Majkut, Oskar Czerwenka, Walter Berry, Alois Pernerstorfer, Vienna State Opera Chorus, Wiener Philharmoniker, Karl Böhm | E♭ Major | 2 | 5B | 76 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (Original Version): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Gürzenich Orchester Köln, François-Xavier Roth | C Major | 0 | 8B | 87 BPM | ||
Der Besuch der alten Dame, Op. 35, Act III: Schade. Herr Bürgermeister. Die Beleuchtung streikte | Gottfried von Einem, Hans Beirer, Hans Braun, Vienna State Opera Chorus, Vienna State Opera Orchestra, Horst Stein | C Major | 1 | 8B | 178 BPM | ||
Quartet in F Minor, Op. 28: II. Adagio | Luise Adolpha Le Beau, Kaleidoscope Chamber Collective | D Major | 1 | 10B | 80 BPM |
Section: 0.7184247970581055
End: 0.7221581935882568