Piano Concerto, Op. 20: II. Adagio (Live)
Gottfried von Einem, Gerty Herzog, Berliner Philharmoniker, Herbert von Karajan
Salzburger Orchesterkonzerte 1957 (Live)
7:13 January 1, 1957
BPM
114
Key
B♭ Major
Camelot
6B

Embed

Share Link

Piano Concerto, Op. 20: II. Adagio (Live) - Gottfried von Einem, Gerty Herzog, Berliner Philharmoniker, Herbert von Karajan Information

Acousticness
98%
Danceability
27%
Energy
7%
Instrumentalness
6%
Liveness
13%
Loudness
63%
Speechiness
5%
Valence
8%
Popularity
Loudness
-21.995 dB

Summary

"Piano Concerto, Op. 20: II. Adagio (Live)" by Gottfried von Einem, Gerty Herzog, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1957. Since Piano Concerto, Op. 20: II. Adagio (Live) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 31 in the song's album "Salzburger Orchesterkonzerte 1957 (Live)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Piano Concerto, Op. 20: II. Adagio (Live) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Concerto, Op. 20: II. Adagio (Live) BPM

With Piano Concerto, Op. 20: II. Adagio (Live) by Gottfried von Einem, Gerty Herzog, Berliner Philharmoniker, Herbert von Karajan having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Piano Concerto, Op. 20: II. Adagio (Live) Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending by Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber OrchestraCello Concerto in B Minor, Op. 104: III. Allegro moderato. Original EndingAntonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber OrchestraB Major01B77 BPM
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Excerpt) by Robert Schumann, Stuttgart Radio Symphony Orchestra, Sir Neville MarrinerSymphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Excerpt)Robert Schumann, Stuttgart Radio Symphony Orchestra, Sir Neville MarrinerA Minor08A86 BPM
Simple Symphony, Op. 4: II. Playful Pizzicato by Benjamin Britten, Budapest Strings, Karoly BotvaySimple Symphony, Op. 4: II. Playful PizzicatoBenjamin Britten, Budapest Strings, Karoly BotvayG Major29B144 BPM
Die Harmonie der Welt Symphony: II. Musica Humana by Paul Hindemith, Yan Pascal Tortelier, BBC Philharmonic OrchestraDie Harmonie der Welt Symphony: II. Musica HumanaPaul Hindemith, Yan Pascal Tortelier, BBC Philharmonic OrchestraD♭ Major03B74 BPM
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré by Maurice Ravel, Basque National Orchestra, Robert TrevinoValses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, ModéréMaurice Ravel, Basque National Orchestra, Robert TrevinoC Major08B82 BPM
Eventide: X. Fugato by Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John WilsonEventide: X. FugatoKenneth Fuchs, Tim McAllister, Sinfonia Of London, John WilsonF Major17B67 BPM
Der Prozeß, Op. 14, Pt. 2: Was treibt ihr denn hier by Gottfried von Einem, Max Lorenz, Erich Majkut, Oskar Czerwenka, Walter Berry, Alois Pernerstorfer, Vienna State Opera Chorus, Wiener Philharmoniker, Karl BöhmDer Prozeß, Op. 14, Pt. 2: Was treibt ihr denn hierGottfried von Einem, Max Lorenz, Erich Majkut, Oskar Czerwenka, Walter Berry, Alois Pernerstorfer, Vienna State Opera Chorus, Wiener Philharmoniker, Karl BöhmE♭ Major25B76 BPM
Symphony No. 9 in D Minor, WAB 109 (Original Version): II. Scherzo. Bewegt, lebhaft by Anton Bruckner, Gürzenich Orchester Köln, François-Xavier RothSymphony No. 9 in D Minor, WAB 109 (Original Version): II. Scherzo. Bewegt, lebhaftAnton Bruckner, Gürzenich Orchester Köln, François-Xavier RothC Major08B87 BPM
Der Besuch der alten Dame, Op. 35, Act III: Schade. Herr Bürgermeister. Die Beleuchtung streikte by Gottfried von Einem, Hans Beirer, Hans Braun, Vienna State Opera Chorus, Vienna State Opera Orchestra, Horst SteinDer Besuch der alten Dame, Op. 35, Act III: Schade. Herr Bürgermeister. Die Beleuchtung streikteGottfried von Einem, Hans Beirer, Hans Braun, Vienna State Opera Chorus, Vienna State Opera Orchestra, Horst SteinC Major18B178 BPM
Quartet in F Minor, Op. 28: II. Adagio by Luise Adolpha Le Beau, Kaleidoscope Chamber CollectiveQuartet in F Minor, Op. 28: II. AdagioLuise Adolpha Le Beau, Kaleidoscope Chamber CollectiveD Major110B80 BPM
ISRC
DEB950877327
Label
L-M Records/RCA Records

Section: 0.7184247970581055

End: 0.7221581935882568