"Pecchè?" by Gaetano Enrico Pennino, Enrico Caruso, Bianculli, Walter B. Rogers was released on 1990. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Pecchè?'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pecchè? by Gaetano Enrico Pennino, Enrico Caruso, Bianculli, Walter B. Rogers is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mefistofele: Act I - La canzone del fischio - Son lo spirito che nega | Arrigo Boito, Riccardo Muti | F Minor | 2 | 4A | 131 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Unis dès la plus tendre enfance" (Pylade) | Christoph Willibald Gluck, Georges Prêtre, Nicolai Gedda, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Che cosa accadde" (Figaro, Bartolo, Conte, Rosina, Berta, Basilio) | Gioachino Rossini, Maria Callas, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | E♭ Major | 3 | 5B | 87 BPM | ||
Golondrina de Madrid: "¡Otra Vez Juntos!¡Éste Me Sigue!" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
Magic Fire Music (Orchestra) | Richard Wagner, Ruth Siewert, Wilhelm Furtwängler, Wiener Philharmoniker | E Major | 1 | 12B | 78 BPM | ||
Cavalleria rusticana: Comare Santa | Pietro Mascagni, Carlo Bergonzi, Gian Giacomo Guelfi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F♯ Major | 1 | 2B | 82 BPM | ||
Le nozze di Figaro, K. 492, Act II: Porgi amor - Remastered 2024 | Wolfgang Amadeus Mozart, Maria Reining, Wiener Philharmoniker, Josef Krips | E♭ Major | 0 | 5B | 79 BPM | ||
Otello: Assisa a’ piè d’un salice | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "All'idea di quel metallo" (Figaro, Count Almaviva) | Gioachino Rossini, Tito Gobbi, Alceo Galliera, Luigi Alva, Philharmonia Orchestra | G Major | 3 | 9B | 116 BPM |
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