"Membra Jesu nostri, BuxWV 75: I. Ad Pedes" by Dietrich Buxtehude, Capella Angelica, Lautten Compagney Berlin, Wolfgang Katschner was released on 2004. Membra Jesu nostri, BuxWV 75: I. Ad Pedes is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. The track order of this song in Dietrich Buxtehude, Capella Angelica, Lautten Compagney Berlin, Wolfgang Katschner's "Membra Jesu Nostri" album is number 3 out of 10. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Membra Jesu nostri, BuxWV 75: I. Ad Pedes's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Membra Jesu nostri, BuxWV 75: I. Ad Pedes by Dietrich Buxtehude, Capella Angelica, Lautten Compagney Berlin, Wolfgang Katschner to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Trio sonatas opus 2: Sonata in D op.2 nr.2 BuxWV 260 | Dietrich Buxtehude, Paolo Pandolfo, Mike Fentross, Ton Koopman, Catherine Manson | E♭ Major | 2 | 5B | 92 BPM | ||
Chamber Sonata No. 4 in G Minor: VI. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 112 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D Major | 7 | 10B | 92 BPM | ||
Symphoniae sacrae II, Op. 10: No. 7, Ich danke dir, Herr, von ganzem Herzen, SWV 347 | Heinrich Schütz, David de Winter, The Brook Street Band | D Minor | 1 | 7A | 67 BPM | ||
Sinfonia Nо. 3 in fa minore (La morte d'Abel): II. Larghetto | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 2. Christe eleison | Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen | F♯ Minor | 1 | 11A | 112 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Fantazia V, Z. 736 | Henry Purcell, John Holloway, Monika Baer, Renate Steinmann, Martin Zeller | E Major | 2 | 12B | 139 BPM |
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