- BPM
- 134
- Key
- A♭ Major
- Camelot
- 4B
Temporal Variations: Chorale (Arr. C. Matthews for oboe and orchestra) - Benjamin Britten, Nicholas Daniel, Royal Northern Sinfonia, Steuart Bedford Information
- Acousticness
- 86%
- Danceability
- 38%
- Energy
- 7%
- Instrumentalness
- 94%
- Liveness
- 19%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 28%
- Popularity
- 1%
- Loudness
- -22.872 dB
Summary
Benjamin Britten, Nicholas Daniel, Royal Northern Sinfonia, Steuart Bedford's 'Temporal Variations: Chorale (Arr. C. Matthews for oboe and orchestra)' came out on January 2, 2005. The duration of Temporal Variations: Chorale (Arr. C. Matthews for oboe and orchestra) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Temporal Variations: Chorale (Arr. C. Matthews for oboe and orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 34 in Britten: Simple Symphony / Temporal Variations / Suite On English Folk Tunes by Benjamin Britten, Steuart Bedford. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Temporal Variations: Chorale (Arr. C. Matthews for oboe and orchestra)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Temporal Variations: Chorale (Arr. C. Matthews for oboe and orchestra) BPM
The tempo marking of Temporal Variations: Chorale (Arr. C. Matthews for oboe and orchestra) by Benjamin Britten, Nicholas Daniel, Royal Northern Sinfonia, Steuart Bedford is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Temporal Variations: Chorale (Arr. C. Matthews for oboe and orchestra) Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 5 Stücke im Volkston, Op. 102: 3. Nicht schnell, mit viel Ton zu spielen | Robert Schumann, Mstislav Rostropovich, Benjamin Britten | A Major | 0 | 11B | 71 BPM | |
 | Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 172 BPM | |
 | Brandenburg Concerto No. 5 in D, BWV 1050: 2. Affetuoso | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | |
 | 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | |
 | Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | |
 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | |
 | Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | |
 | Appalachian Spring: II. Allegro | Aaron Copland, Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 82 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | |
 | Lieutenant Kijé, Symphonic Suite, Op.60: 5. Enterrement de Kijé | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 0 | 6A | 104 BPM |
- ISRC
- HKI190452310
- Label
- L-M Records/RCA Records
Section: 0.7979507446289062
End: 0.8014795780181885