George Enescu, Dinu Lipatti made "Enescu: Sonata No. 3 in D Major, Op. 24" available on June 27, 2011. With this song being about 5 minutes long, at 5:02, "Enescu: Sonata No. 3 in D Major, Op. 24" by George Enescu, Dinu Lipatti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "The Solo Recordings". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. Enescu: Sonata No. 3 in D Major, Op. 24 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Enescu: Sonata No. 3 in D Major, Op. 24 by George Enescu, Dinu Lipatti having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Première rapsodie in B-Flat Major, CD 124, L. 116 (Orchestral Version) | Claude Debussy, Sabine Meyer, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 113 BPM | ||
Violin Sonata No. 2 in F Minor, Op. 6: III. Vif | George Enescu, Vilmos Szabadi, Márta Gulyás | E Minor | 9 | 9A | 125 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Symphony No. 3, Op. 27, FS 60 "Sinfonia espansiva": I. Allegro espansivo | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | F♯ Major | 1 | 2B | 81 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice | Valery Gergiev | D♭ Minor | 1 | 12A | 69 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM |
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