Johann Sebastian Bach, Rochelle Sennet made "French Suite No. 6 in E Major, BWV 817: VIII. Gigue" available on February 1, 2024. The duration of French Suite No. 6 in E Major, BWV 817: VIII. Gigue is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. French Suite No. 6 in E Major, BWV 817: VIII. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 79 in Bach to Black: Suites for Piano, Vol. III by Rochelle Sennet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, French Suite No. 6 in E Major, BWV 817: VIII. Gigue is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of French Suite No. 6 in E Major, BWV 817: VIII. Gigue by Johann Sebastian Bach, Rochelle Sennet is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 2 | 8B | 91 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Prelude No. 3 "Nina's Convention" | Johann Sebastian Bach, John Lewis | C Major | 1 | 8B | 93 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibt meine Freude (Chorus) | Johann Sebastian Bach, Ingrid Kertesi, Jozsef Mukk, Judit Nemeth, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal | G Major | 1 | 9B | 66 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | F♯ Major | 4 | 2B | 101 BPM |
Section: 0.7295892238616943
End: 0.7333700656890869