- BPM
- 167
- Key
- F♯ Minor
- Camelot
- 11A
Three Dances (2002 Digital Remaster): Dance No. 1 - Michael Tilson Thomas Information
- Acousticness
- 90%
- Danceability
- 55%
- Energy
- 47%
- Instrumentalness
- 85%
- Liveness
- 7%
- Loudness
- 60%
- Speechiness
- 6%
- Valence
- 83%
- Popularity
- 0%
- Loudness
- -24.282 dB
Summary
On December 6, 2011, the song "Three Dances (2002 Digital Remaster): Dance No. 1" was released by Michael Tilson Thomas. Since Three Dances (2002 Digital Remaster): Dance No. 1 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 50 Best Patriotic American Classical Music Pieces, so we believe that "Three Dances (2002 Digital Remaster): Dance No. 1" is a single. The popularity of Three Dances (2002 Digital Remaster): Dance No. 1 is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Three Dances (2002 Digital Remaster): Dance No. 1 BPM
The tempo marking of Three Dances (2002 Digital Remaster): Dance No. 1 by Michael Tilson Thomas is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
Three Dances (2002 Digital Remaster): Dance No. 1 Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | |
 | Mahler: Symphony No. 1 in D Major: II. Kräftig bewegt, doch nicht zu schnell | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 176 BPM | |
 | Romeo et Juliette, Op. 64 (Excerpts): No. 6, Le Combat | Sergei Prokofiev, Michael Tilson Thomas, San Francisco Symphony | C Major | 0 | 8B | 71 BPM | |
 | Oboe Sonata, FP 185: Elegie: Paisiblement | Francis Poulenc, Olivier Doise, Alexandre Tharaud | G Major | 0 | 9B | 61 BPM | |
 | Sinfonía india (Symphony No. 2) | Carlos Chávez, New World Symphony, Michael Tilson Thomas | G Minor | 3 | 6A | 92 BPM | |
 | Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | |
 | Capriol Suite: 6. Mattachins (Sword Dance) | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | F Major | 3 | 7B | 82 BPM | |
 | Ballade in A Minor, Op. 33: I. Allegro energico, ma non troppo presto | Samuel Coleridge-Taylor, Chineke! Orchestra, Kalena Bovell | F♯ Minor | 0 | 11A | 78 BPM | |
 | The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | |
 | Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7592313289642334
End: 0.7634236812591553