"Vocalise Op. 34, No. 14 (arr. Jenkins)" by Sergei Rachmaninoff, Adiemus, Karl Jenkins, London Philharmonic Orchestra Chorus was released on 2003. With this song being about 5 minutes long, at 4:31, "Vocalise Op. 34, No. 14 (arr. Jenkins)" by Sergei Rachmaninoff, Adiemus, Karl Jenkins, London Philharmonic Orchestra Chorus is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 16 in Adiemus V - Vocalise by Daniel Hope, Zürcher Kammerorchester, Charl du Plessis Trio, Astor Piazzolla, Sarah Christ, Adiemus, Karl Jenkins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Vocalise Op. 34, No. 14 (arr. Jenkins) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vocalise Op. 34, No. 14 (arr. Jenkins) by Sergei Rachmaninoff, Adiemus, Karl Jenkins, London Philharmonic Orchestra Chorus is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Ocean of Dreams | Moscow Symphony Orchestra, Ian Mulder | B♭ Major | 3 | 6B | 136 BPM | ||
Dona Nobis Pacem (Part II) | Karl Jenkins, Adiemus, The Adiemus Singers, London Philharmonic Orchestra, Mary Carewe | A Minor | 4 | 8A | 130 BPM | ||
Vaughan Williams: The Lark Ascending: Opening (Excerpt) | Ralph Vaughan Williams, Sir Adrian Boult, New Philharmonia Orchestra | B Minor | 1 | 10A | 102 BPM | ||
Antiphon Caritas habundant in omnia | Hildegard von Bingen, Anonymous 4 | F Minor | 0 | 4A | 125 BPM | ||
12 Romances, Op. 21: No. 7, How Fair this Spot (Arr. for Piano Trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Major | 0 | 10B | 132 BPM | ||
4 Songs, Op. 13: No. 3. Sure on this shining night | Samuel Barber, Birmingham Conservatoire Chamber Choir, Ben Kennedy, Paul Spicer | B♭ Major | 0 | 6B | 101 BPM | ||
MAGNIFICAT: VI. Suscepit Israel | Kim André Arnesen, Anita Brevik, Nidarosdomens jentekor, TrondheimSolistene, Lise Granden Berg, Cecilie Ertzaas Overrein, Maria Næss, Øyvind Gimse | B♭ Major | 1 | 6B | 72 BPM | ||
Sainte-Chapelle | Eric Whitacre, National Youth Choir Of Great Britain, Ben Parry | C Major | 1 | 8B | 167 BPM | ||
Sons of Uisnach | Mychael Danna, Jeff Danna | G Major | 4 | 9B | 37 BPM |
Section: 0.743180513381958
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