London Harpsichord Ensemble, Sarah Francis made "Oboe Sonata in B-Flat Major, HWV 357: I. Allegro" available on November 25, 2013. The duration of Oboe Sonata in B-Flat Major, HWV 357: I. Allegro is about 3 minutes long, at 3:06. Based on our data, "Oboe Sonata in B-Flat Major, HWV 357: I. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in London Harpsichord Ensemble, Sarah Francis's "Handel: Oboe Concertos and Sonatas" album is number 22 out of 32. In terms of popularity, Oboe Sonata in B-Flat Major, HWV 357: I. Allegro is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Oboe Sonata in B-Flat Major, HWV 357: I. Allegro by London Harpsichord Ensemble, Sarah Francis to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in F Major, Op. 3, No. 4, HWV 315: IV. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | F Major | 1 | 7B | 129 BPM | ||
Concerto for Descant Recorder, Strings, and Continuo in F: 2. Siciliano | Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | C Major | 1 | 8B | 141 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: III. Affetuoso | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | A Major | 1 | 11B | 103 BPM | ||
Oboe Concerto No. 1 in B-Flat Major, HWV 301: II. Allegro | London Harpsichord Ensemble, Sarah Francis | B♭ Major | 3 | 6B | 111 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: V. Gavotte | George Frideric Handel, Iona Brown, Jonathan Rees, Academy of St. Martin in the Fields | B Major | 2 | 1B | 182 BPM | ||
Adagio & Fugue | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 114 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 5: IV. Largo - Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | B♭ Major | 1 | 6B | 168 BPM | ||
Trumpet Sonata No. 69 | Johann Christoph Pezel, Tormod Dalen, Niklas Eklund, Knut Johannessen, Mats Klingfors, Marc Ullrich | D♭ Major | 2 | 3B | 95 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 130 BPM | ||
Symphonie Nr. 104 D-Dur " Dudelsack " - Adagio-Allegro | Musici di San Marco, Alberto Lizzio | D Major | 2 | 10B | 125 BPM |
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