"Evening Service in F Major: Magnificat" by John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice had its release date on December 4, 2012. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in John Ireland, Lincoln Cathedral Choir, Aric Prentice's "Ireland: Church Music" album is number 24 out of 25. On top of that, Hong Kong appears to be the country where this track was created. Evening Service in F Major: Magnificat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Evening Service in F Major: Magnificat by John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Psalm 104 | William Lovelady, Sarn Dyer, Miriam Allan, Nicholas Madden, Tom Lilburn, Simon Whiteley, James Vivian, Luke Bond | E♭ Major | 6 | 5B | 131 BPM | ||
Evening Service in B Minor, Op. 6: I. Magnificat | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | E Minor | 2 | 9A | 76 BPM | ||
Cantate Domino (Motette): 2011 | Josu Elberdin, Stephanie Arden, Marianne Zabel, Kammerchor I Vocalisti, Hans-Joachim Lustig | A Major | 1 | 11B | 99 BPM | ||
Ave Verum Corpus, K. 618 | The Cathedral Singers, Thomas Yang, Katherine Hughes, Elizabeth Holzman, Richard Yeo, Collins Trier, Aaron David Miller | D Major | 1 | 10B | 93 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
When I am Dead, my Dearest | John Ireland, Benjamin Luxon, Alan Rowlands | D Minor | 0 | 7A | 69 BPM | ||
Iustorum Animae | Matthew Martin, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | D♭ Major | 0 | 3B | 145 BPM | ||
Mille regretz | Josquin des Prez, Stile Antico | F♯ Minor | 1 | 11A | 86 BPM | ||
Requiem for the Living: V. Lux Aeterna | Dan Forrest, Bel Canto Company, Donovan Elliot, Jeremy Whitener, Welborn Young | A Major | 2 | 11B | 127 BPM |