"Der Karneval der Tiere, R. 125: VII. Die Känguruhs" by Camille Saint-Saëns, Ferhan & Ferzan Önder was released on November 15, 2019. With Der Karneval der Tiere, R. 125: VII. Die Känguruhs being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Saint-Saëns: Karneval der Tiere & Prokofiev: Peter und der Wolf". In this album, this song's track order is #13. Der Karneval der Tiere, R. 125: VII. Die Känguruhs is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Der Karneval der Tiere, R. 125: VII. Die Känguruhs by Camille Saint-Saëns, Ferhan & Ferzan Önder having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gymnopédie No. 2 | Erik Satie, Philippe Entremont | D Minor | 0 | 7A | 67 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) | Camille Saint-Saëns, Paul Tortelier, City Of Birmingham Symphony Orchestra, Louis Frémaux, Robert Johnston | A♭ Major | 2 | 4B | 123 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne | Camille Saint-Saëns, Marek Janowski, Éric Levionnais | G Major | 0 | 9B | 91 BPM | ||
Ravel: Jeux d'eaux, M. 30 | Maurice Ravel, Monique Haas | A♭ Major | 2 | 4B | 78 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
Carnival of the Animals: XIII. The Swan (arr. for violin and piano) | Anonymous, Camille Saint-Saëns, Matthew Trusler, Alexander Taylor | G Major | 1 | 9B | 84 BPM |
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