Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Oui, l'on devient digne d'envie
Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire
Offenbach - Les Contes d'Hoffmann
2:45 1965
BPM
132
Key
A Minor
Camelot
8A

Embed

Share Link

Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Oui, l'on devient digne d'envie - Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire Information

Acousticness
94%
Danceability
45%
Energy
15%
Instrumentalness
0%
Liveness
21%
Loudness
71%
Speechiness
5%
Valence
31%
Popularity
Loudness
-17.235 dB

Summary

Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire's 'Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Oui, l'on devient digne d'envie' came out on 1965. The duration of Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Oui, l'on devient digne d'envie is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Oui, l'on devient digne d'envie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "Offenbach - Les Contes d'Hoffmann". In this album, this song's track order is #4. Based on our statistics, Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Oui, l'on devient digne d'envie's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Oui, l'on devient digne d'envie BPM

With Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Oui, l'on devient digne d'envie by Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Oui, l'on devient digne d'envie Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro moltoAntonín Dvořák, Oslo Philharmonic Orchestra, Mariss JansonsE Minor19A112 BPM
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Gloire! gloire à Jupiter (Pluton/Les dieux/L'Opinion Publique/Jupiter/Orphee/Mercure/Cupidon/Diane/Venus) by Jacques Offenbach, Laurent Naouri/Jean-Paul Fouchécourt/Yann Beuron/Eva Podles/Patricia Petibon/Jennifer Smith/Véronique Gens/Etienne Lescroart/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Min, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De LyonOrphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Gloire! gloire à Jupiter (Pluton/Les dieux/L'Opinion Publique/Jupiter/Orphee/Mercure/Cupidon/Diane/Venus)Jacques Offenbach, Laurent Naouri/Jean-Paul Fouchécourt/Yann Beuron/Eva Podles/Patricia Petibon/Jennifer Smith/Véronique Gens/Etienne Lescroart/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Min, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De LyonA♭ Major14B93 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship by Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoShéhérazade, Op. 35: I. The Sea and Sinbad's ShipNikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoE Major112B136 BPM
Les contes d'Hoffmann: Barcarolle from The Tales of Hoffmann (arr. P.Nagy) by Péter Nagy, Jacques OffenbachLes contes d'Hoffmann: Barcarolle from The Tales of Hoffmann (arr. P.Nagy)Péter Nagy, Jacques OffenbachD Major010B140 BPM
Coppélia: Valse Lente by Léo Delibes, Orchestra of the Royal Opera House, Covent GardenCoppélia: Valse LenteLéo Delibes, Orchestra of the Royal Opera House, Covent GardenE♭ Major15B72 BPM
5 Military Marches, Op. 39, 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D MajorEdward Elgar, New Zealand Symphony Orchestra, James JuddD Major310B127 BPM
Aladdin Suite, Op. 34, FS 89: I. The Festival March by Carl Nielsen, South Jutland Symphony Orchestra, Niklas WillenAladdin Suite, Op. 34, FS 89: I. The Festival MarchCarl Nielsen, South Jutland Symphony Orchestra, Niklas WillenA Minor38A112 BPM
La Bohème / Act 1: La Bohème / Act 1: "O soave fanciulla"Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin DavisE Major212B81 BPM
Soirees musicales, Op. 9: I. March by Benjamin Britten, Helsingborg Symphony Orchestra, Okko KamuSoirees musicales, Op. 9: I. MarchBenjamin Britten, Helsingborg Symphony Orchestra, Okko KamuB♭ Major16B124 BPM
William Tell Overture by Gioachino Rossini, Arthur Fiedler, Boston Pops OrchestraWilliam Tell OvertureGioachino Rossini, Arthur Fiedler, Boston Pops OrchestraE Major612B169 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6734089851379395

End: 0.6773021221160889