"Words of Wisdom: IX. How To Get There" by Katy Abbott, The Song Company, Roland Peelman was released on March 3, 2014. The duration of Words of Wisdom: IX. How To Get There is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Words of Wisdom: IX. How To Get There's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Domestic Sublime: The Vocal Music of Katy Abbott". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Australia. Words of Wisdom: IX. How To Get There is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Words of Wisdom: IX. How To Get There by Katy Abbott, The Song Company, Roland Peelman having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scenes from the Epic of Gilgamesh: I. Prologue | Robert Saxton, English Symphony Orchestra, Kenneth Woods | A Minor | 1 | 8A | 117 BPM | ||
Autumn Song | Katy Abbott, Max Goldberg, Annabel Thwaite | D♭ Major | 0 | 3B | 132 BPM | ||
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
My Lady's Pavan | Philip Sparke, Corinne Bailey, Lindy Tennent-Brown | A♭ Major | 1 | 4B | 144 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Concerto for Violin and Orchestra: IV. Fast | Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM | ||
O Jardim de Ana | Natália Roschel, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Midnight Songs: II. Midnight Song | Katy Abbott, Ensemble Three | D Major | 1 | 10B | 133 BPM | ||
Woodwind Quintet: II. Scherzo | Thomas Jerde | C Major | 0 | 8B | 91 BPM | ||
パリは燃えているか - ブラス・ヴァージョン | Takashi Kako | G Minor | 3 | 6A | 83 BPM |
Section: 0.6258072853088379
End: 0.6298880577087402