Gioachino Rossini, Monica Sinclair, Glyndebourne Festival Chorus, Glyndebourne Festival Orchestra, Sari Barabas, Vittorio Gui's 'Le Comte Ory, Act II: Act II: Introduction: Dans ce séjour calme et tranquille (Chorus, Countess, Ragonde)' came out on August 1, 2014. Since Le Comte Ory, Act II: Act II: Introduction: Dans ce séjour calme et tranquille (Chorus, Countess, Ragonde) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 20 in the song's album "Rossini: Le comte Ory (The Count Ory)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Italy. In terms of popularity, Le Comte Ory, Act II: Act II: Introduction: Dans ce séjour calme et tranquille (Chorus, Countess, Ragonde) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le Comte Ory, Act II: Act II: Introduction: Dans ce séjour calme et tranquille (Chorus, Countess, Ragonde) by Gioachino Rossini, Monica Sinclair, Glyndebourne Festival Chorus, Glyndebourne Festival Orchestra, Sari Barabas, Vittorio Gui having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia | Gioachino Rossini, Riccardo Chailly | E Major | 2 | 12B | 92 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | F Minor | 2 | 4A | 172 BPM | ||
Nel cor più non mi sento | Giovanni Paisiello, Cecilia Bartoli, György Fischer | F Major | 0 | 7B | 138 BPM | ||
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Il Barbiere di Siviglia: Gente indiscreta! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | D Minor | 0 | 7A | 106 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | B Minor | 2 | 10A | 181 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 112 BPM |
Section: 1.014115810394287
End: 1.0174424648284912