"Magnificat secundi toni: Chant verse 11-12, "Gloria patri minor"" by Matthias Weckmann, Hans Davidsson was released on July 3, 2012. With Magnificat secundi toni: Chant verse 11-12, "Gloria patri minor" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 76 in the song's album "The Complete Organ Works of Matthias Weckman". In this album, this song's track order is #14. Magnificat secundi toni: Chant verse 11-12, "Gloria patri minor" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Magnificat secundi toni: Chant verse 11-12, "Gloria patri minor" by Matthias Weckmann, Hans Davidsson having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O pulchre facies | Hildegard von Bingen, Discantus | G Minor | 1 | 6A | 102 BPM | ||
Agnus Dei, JD 14 | John Dunstable, Tonus Peregrinus, Antony Pitts | E♭ Major | 1 | 5B | 137 BPM | ||
Vir Dei Benedictus | Benedettini Abbazia di San Paolo fuori le mura | G Major | 1 | 9B | 77 BPM | ||
Plausus Noricus praecelsissimo atque potentissimo principi ac domino | Johann Staden, Goteborg University School of Music and Musicology Chamber Choir, Sven Berger, Stig Josefsson, Roy Andersson, Ake Edefors, Eva Niste, Mans Sundstrom, Kristina Lindgard, Tilman Skowroneck, Fredrik Albertsson, Per Sjogren, Hans Davidsson | C Major | 1 | 8B | 97 BPM | ||
Recordare Virgo Mater | Monks Of The Abbey Of Notre Dame | G Major | 0 | 9B | 81 BPM | ||
Concerto IV. Wie liegt die Stadt so wüste. à 7 | Matthias Weckmann, Ricercar Consort, Maria Keohane, Stephan MacLeod, Philippe Pierlot | A♭ Major | 1 | 4B | 128 BPM | ||
O Maria vitae via | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | E♭ Major | 0 | 5B | 131 BPM | ||
Messe de la toussaint : Gloria iii | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | A Minor | 0 | 8A | 109 BPM | ||
Dans la joie de Pâques : Graduel Haec Dies | Dom Le Feuvre, Congrégation de Solesme, Choeur des Bénédictins de l'Abbaye de Kergonan | B Minor | 0 | 10A | 140 BPM | ||
Ubi Cáritas Et Ámor: Antofon Ved Nattverdens Liturgi På Skjærtorsdag | Public Domaine, St. Hallvard-Guttene, Øistein Vogt | A Minor | 0 | 8A | 71 BPM |
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