Public Domaine, St. Hallvard-Guttene, Øistein Vogt's 'Nos Autem Gloriári: Ingangsvers På Skjærtorsdag' came out on June 17, 1999. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 11 in Canto Gregoriano Kyrie Eléison by Public Domaine, St. Hallvard-Guttene, Øistein Vogt. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Based on our statistics, Nos Autem Gloriári: Ingangsvers På Skjærtorsdag's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Nos Autem Gloriári: Ingangsvers På Skjærtorsdag by Public Domaine, St. Hallvard-Guttene, Øistein Vogt is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Office of Readings: V. Psalm 23 | The Benedictine Monks of Worth Abbey | E♭ Major | 0 | 5B | 79 BPM | ||
Gloria, JD 15: Gloria (Jesu Christe Fili Dei), JD 15 | John Dunstable, Tonus Peregrinus, Antony Pitts | E Major | 2 | 12B | 133 BPM | ||
Credo in Unum Deum | Thibaut Marlin, Eric Lebrun, Choeur Gregorien De Paris | A♭ Major | 0 | 4B | 175 BPM | ||
Hildegard of Bingen: Mattins Antiphons for St Ursula | Hildegard von Bingen, Girl Choristers & Lay Clerks Of Winchester Cathedral, Emily Dickens, Sarah Baldock, Tempe Nell, Elizabeth French, Josie Filmer | E Major | 0 | 12B | 127 BPM | ||
Laudes de sainte Ursule: VIII. Antienne De Patria | Hildegard von Bingen, Ensemble Organum, Marcel Pérès | B♭ Minor | 0 | 3A | 72 BPM | ||
A Marie, Mère de Dieu, Antienne Nativitas Tua | Dom Le Feuvre, Choeur des Bénédictins de l'Abbaye de Kergonan, Congrégation de Solesme | E♭ Major | 1 | 5B | 128 BPM | ||
Kyrie, JD 1 | John Dunstable, Tonus Peregrinus, Antony Pitts | A♭ Minor | 3 | 1A | 81 BPM | ||
Sanctus & Benedictus | Traditional Gregorian Chant, The Benedictine Monks of St. Michael de Laudes | F Minor | 1 | 4A | 66 BPM | ||
In Paradisum Angeli (Reprise) | Traditional Gregorian Chant, The Benedictine Monks of St. Michael de Laudes | F Major | 0 | 7B | 80 BPM | ||
Libera me Responsorium (Trauerliturgie) | Choir Of St. Abuscus | C Major | 2 | 8B | 69 BPM |
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