- BPM
- 136
- Key
- D Major
- Camelot
- 10B
Suite No. 3 in D Major, BWV 1068: II. Air - Johann Sebastian Bach, Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Stefan Maass, Stefan Rath Information
- Acousticness
- 96%
- Danceability
- 17%
- Energy
- 5%
- Instrumentalness
- 2%
- Liveness
- 15%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 4%
- Loudness
- -23.409 dB
Summary
"Suite No. 3 in D Major, BWV 1068: II. Air" by Johann Sebastian Bach, Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Stefan Maass, Stefan Rath was released on February 3, 2021. With this song being about 5 minutes long, at 5:01, "Suite No. 3 in D Major, BWV 1068: II. Air" by Johann Sebastian Bach, Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Stefan Maass, Stefan Rath is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 348 out of 350 in Bach For The Road by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Suite No. 3 in D Major, BWV 1068: II. Air's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Suite No. 3 in D Major, BWV 1068: II. Air BPM
The tempo marking of Suite No. 3 in D Major, BWV 1068: II. Air by Johann Sebastian Bach, Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Stefan Maass, Stefan Rath is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Suite No. 3 in D Major, BWV 1068: II. Air Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, David Collyer, Amsterdam Baroque Orchestra | A♭ Minor | 5 | 1A | 98 BPM | |
 | Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Bavarian Radio Chorus, Munich Chamber Orchestra, Alexander Liebreich | A♭ Major | 1 | 4B | 112 BPM | |
 | Magnificat in D Major, BWV 243: III. Quia respexit humilitatem | Johann Sebastian Bach, Barbara Schlick, Philippe Herreweghe, La Chapelle Royale | E Major | 5 | 12B | 110 BPM | |
 | Frost | Gabríel Ólafs | D Major | 0 | 10B | 112 BPM | |
 | Vesperae solennes de confessore in C, K.339: 5. Laudate Dominum omnes gentes (Ps. 116/117) | Wolfgang Amadeus Mozart, Cecilia Bartoli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani | F Major | 0 | 7B | 103 BPM | |
 | Magnificat anima mea, SWV 468 | Heinrich Schütz, Gerlinde Sämann, Stefan Kunath, Georg Poplutz, Tobias Mäthger, Andreas Arend, Felix Schwandtke, Christian Schlemmer, Anna Schall, Ludger Rémy, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 80 BPM | |
 | Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 3. Fuga (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 3 | 8B | 103 BPM | |
 | Weihnachts-Oratorium, BWV 248: Part 1, Jauchzet, frohlocket! Auf, preiset die Tage - No. 1, Jauchzet, frohlocket! | Johann Sebastian Bach, La Petite Bande | D♭ Major | 3 | 3B | 136 BPM | |
 | Still, still, still - Instrumental | Christoph Israel, Swonderful Orchestra, Catherine Larsen-Maguire | F Major | 1 | 7B | 74 BPM | |
 | Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Pierre-Laurent Aimard, Nikolaus Harnoncourt, Chamber Orchestra of Europe | B Major | 0 | 1B | 97 BPM |
- ISRC
- DEN960901170
- Label
- L-M Records/RCA Records
Section: 0.7999944686889648
End: 0.8048691749572754