- BPM
- 113
- Key
- F Major
- Camelot
- 7B
Harmoniemesse, Hob.XXII:14: IV. Sanctus - Joseph Haydn, David Hill, Winchester Cathedral Choir, Brandenburg Consort Information
- Acousticness
- 93%
- Danceability
- 45%
- Energy
- 34%
- Instrumentalness
- 46%
- Liveness
- 7%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 24%
- Popularity
- 0%
- Loudness
- -16.534 dB
Summary
Joseph Haydn, David Hill, Winchester Cathedral Choir, Brandenburg Consort's 'Harmoniemesse, Hob.XXII:14: IV. Sanctus' had a release date set for October 1, 1991. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Harmoniemesse, Hob.XXII:14: IV. Sanctus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, Winchester Cathedral Choir, Brandenburg Consort, David Hill's "Haydn: Harmoniemesse & Little Organ Mass" album is number 14 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Harmoniemesse, Hob.XXII:14: IV. Sanctus is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Harmoniemesse, Hob.XXII:14: IV. Sanctus BPM
We consider the tempo marking of Harmoniemesse, Hob.XXII:14: IV. Sanctus by Joseph Haydn, David Hill, Winchester Cathedral Choir, Brandenburg Consort to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
Harmoniemesse, Hob.XXII:14: IV. Sanctus Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerti grossi, Op. 6, Concerto Grosso No. 3 in E Minor, HWV 321: IV. Polonaise | George Frideric Handel, Academy of Ancient Music, Andrew Manze | F♯ Major | 1 | 2B | 98 BPM | |
 | Keyboard Trio No. 24 in D Major, Hob.XV:24: III. Allegro, ma dolce | Franz Joseph Haydn, Kungsbacka Piano Trio | D Major | 1 | 10B | 156 BPM | |
 | Missa Solemnis in D Major, Op. 123: I. Kyrie | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | D Major | 1 | 10B | 77 BPM | |
 | Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | |
 | Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | |
 | Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM | |
 | Symphony No. 2 In D, Op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B Major | 1 | 1B | 108 BPM | |
 | Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM |
- ISRC
- GBAJY9150814
- Label
- L-M Records/RCA Records