Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko made "The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation IV. Canari qui chante (Fairy of the Song Birds)" available on January 1, 2012. With The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation IV. Canari qui chante (Fairy of the Song Birds) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 26 in the song's album "The Sleeping Beauty (excerpts from the Ballet)". In this album, this song's track order is #8. The popularity of The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation IV. Canari qui chante (Fairy of the Song Birds) is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation IV. Canari qui chante (Fairy of the Song Birds) by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko having a BPM of 161 with a half-time of 80 BPM and a double-time of 322 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: No. 20 - Allegro feroce | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | G Major | 4 | 9B | 124 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 96 BPM | ||
Violin Concerto N°1 in D, Op. 6: III. Rondo (Allegro spirituoso) | The London Symphony Orchestra - Gordan Nikolitch (violin) | A Major | 1 | 11B | 103 BPM | ||
Symphony No.6 in F major, Pastoral, Op. 68 : V. Hirtengesang, Frohe und dankbare Gefühle nach dem Sturm (Shepherd's song; happy and thankful feelings after the storm), Allegretto | Orchestra "New Philharmony" Saint Petersburg, Alexander Titov | F Major | 1 | 7B | 180 BPM | ||
Coppelia Ballet Suite: Festival of the Clocks and Dance of the Hours | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 181 BPM | ||
Cello Concerto in B flat major : II. Adagio non troppo | Saint Petersburg Chamber Orchestra "Canon" , Sergei Raldugin, Leo Korchin | G Major | 1 | 9B | 129 BPM | ||
Act III. Spanish dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | F♯ Minor | 2 | 11A | 119 BPM | ||
Prologue: Entree Of Don Quixote (Minkus) | Mariinsky Orchestra | G Major | 2 | 9B | 64 BPM | ||
Giselle: Act I: Polacca | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 87 BPM |
Section: 0.6538033485412598
End: 0.6581408977508545