Giorgio Mainerio, Musica Antiqua, Christian Mendoze made "Saltarello (Caro ortolano)" available on December 31, 1998. With Saltarello (Caro ortolano) being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Schiarazula Marazula: Italian Dances of the Renaissance". In this album, this song's track order is #17. In terms of popularity, Saltarello (Caro ortolano) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Saltarello (Caro ortolano) by Giorgio Mainerio, Musica Antiqua, Christian Mendoze having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
Jacaras | Antonio de Santa Cruz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 1 | 10B | 103 BPM | ||
Differencias Sobre La Gallarda Milanesa | Antonio de Cabezón, Veronique Musson-Gonneaud | F Major | 1 | 7B | 87 BPM | ||
Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
Sicut lilium | Antoine Brumel, Choir of Jesus College, Cambridge, Mark Williams | G Major | 0 | 9B | 82 BPM | ||
A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | ||
Wolauff, Gesell! | Oswald von Wolkenstein, La Reverdie | C Major | 2 | 8B | 114 BPM | ||
Tandernaken: The Kynge Henry VIII | Henry VIII, Folger Consort | F Major | 1 | 7B | 139 BPM | ||
Oy comamos y bebamos: Hoy comamos y bebamos | Juan del Encina, Accentus Ensemble, Thomas Wimmer | D Major | 2 | 10B | 142 BPM | ||
Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM |
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