"Roméo et Juliette, Op. 64: Act I - Danse des chevaliers" by Sergei Prokofiev, Monte-Carlo Philharmonic Orchestra was released on September 15, 1997. With this song being about 5 minutes long, at 5:26, "Roméo et Juliette, Op. 64: Act I - Danse des chevaliers" by Sergei Prokofiev, Monte-Carlo Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 52 in the song's album "Prokofiev : Roméo et Juliette, Op. 64 - Ballet en 4 actes de William Shakespeare". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. Based on our statistics, Roméo et Juliette, Op. 64: Act I - Danse des chevaliers's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Roméo et Juliette, Op. 64: Act I - Danse des chevaliers by Sergei Prokofiev, Monte-Carlo Philharmonic Orchestra having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse N°2 | Dmitri Shostakovich, Richard Clayderman | G Major | 3 | 9B | 92 BPM | ||
Dans les steppes de L'Asie Centrale, poème symphonique | Alexander Borodin, Orchestre Philharmonique des Pays de Loire, Marc Soustrot | A Major | 0 | 11B | 81 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Les Indes galantes: Air des Sauvages | Jean-Philippe Rameau, La Chapelle Royale, Philippe Herreweghe | F♯ Minor | 2 | 11A | 85 BPM | ||
Suite bergamasque, L.75: 3. Clair de lune | Claude Debussy, Werner Haas | D♭ Major | 0 | 3B | 126 BPM | ||
Rêve d`amour No.3 | Franz Liszt, François-René Duchâble | A♭ Major | 0 | 4B | 166 BPM | ||
Suite pour violoncelle No.1 en sol majeur, BWV 1007: Praeludium | Johann Sebastian Bach, Christian-Pierre La Marca | G Minor | 3 | 6A | 200 BPM | ||
Concerto pour violon et orchestre en Mi Mineur, Op. 64 | Eric Lévi | E Minor | 4 | 9A | 95 BPM | ||
Concerto De L'adieu (From "Diên Biên Phu") | Philharmonic Wind Orchestra, Marc Reift Orchestra, Jan Valta | F Minor | 5 | 4A | 92 BPM | ||
Pavane in F-Sharp Minor, Op. 50 | Gabriel Fauré, Charles Gerhardt, National Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM |
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