"Von dorther kam das Stöhnen (Parsifal)" by Ludwig Weber, Elsa Larcèn, Hans Reinmar, Carl Hartmann, Chor und Orchester des Deutschen Opernhauses, Berlin was released on September 20, 2006. Since Von dorther kam das Stöhnen (Parsifal) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Parsifal - Dritter Aufzug". In this album, this song's track order is #2. Based on our statistics, Von dorther kam das Stöhnen (Parsifal)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Von dorther kam das Stöhnen (Parsifal) by Ludwig Weber, Elsa Larcèn, Hans Reinmar, Carl Hartmann, Chor und Orchester des Deutschen Opernhauses, Berlin having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Rosenkavalier, Op. 59 / Act 3: "Hab'n Euer Gnaden noch weitre Befehle?" | Richard Strauss, Wolfgang Daucha, Fritz Erbner, Ferdinand Settmacher, Rudolf Stumper, Erich Majkut, Ludwig Weber, Wiener Philharmoniker, Erich Kleiber | E Minor | 5 | 9A | 80 BPM | ||
Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 9. Variation 8. Presto non troppo | Wilhelm Furtwängler | B♭ Major | 1 | 6B | 88 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Petite messe solennelle: I. Kyrie | Gioachino Rossini, Wiener Singakademie, Luxembourg Philharmonic Orchestra, Gustavo Gimeno | C Major | 0 | 8B | 88 BPM | ||
La Traviata, Act III: Addio, del passato | Giuseppe Verdi, Lisette Oropesa, Daniel Oren, Dresdner Philharmonie | A Minor | 0 | 8A | 79 BPM | ||
Nabucco | Verdi | F Major | 1 | 7B | 122 BPM | ||
Marschner: Hans Heiling, Op. 80: "Gönne mir ein wort der Liebe" (Konrad) | Heinrich Marschner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Messa di Gloria: XIV. Et unam, sanctam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | A♭ Major | 1 | 4B | 70 BPM | ||
Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM |
Section: 0.6576793193817139
End: 0.6616897583007812