Temporal Variations for Oboe and Piano: I. Theme (Andante rubato) - Benjamin Britten, François Leleux, Emmanuel Strosser Information

Acousticness: 97%
Danceability: 33%
Energy: 6%
Instrumentalness: 68%
Liveness: 19%
Loudness: 57%
Speechiness: 5%
Valence: 15%
Popularity: 1%
Loudness: -25.791 dB

Summary

"Temporal Variations for Oboe and Piano: I. Theme (Andante rubato)" by Benjamin Britten, François Leleux, Emmanuel Strosser was released on 1995. With Temporal Variations for Oboe and Piano: I. Theme (Andante rubato) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 24 in Britten & Poulenc: Works for Oboe by François Leleux. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Temporal Variations for Oboe and Piano: I. Theme (Andante rubato)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Temporal Variations for Oboe and Piano: I. Theme (Andante rubato) BPM

The tempo marking of Temporal Variations for Oboe and Piano: I. Theme (Andante rubato) by Benjamin Britten, François Leleux, Emmanuel Strosser is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Temporal Variations for Oboe and Piano: I. Theme (Andante rubato) Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonata For Arpeggione And Piano In A Minor, D. 821: 1. Allegro moderato	Franz Schubert, Mstislav Rostropovich, Benjamin Britten	A Minor	1	8A	96 BPM
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance	Richard Strauss, Fritz Reiner	F Major	0	7B	63 BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	B♭ Major	3	6B	160 BPM
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Symphonie No. 1 en Ré Majeur, Op. 25 "Classique": III. Gavotta, Non troppo allegro	Sergei Prokofiev, Bournemouth Symphony Orchestra, Kirill Karabits	D Major	0	10B	127 BPM
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Symphony No. 1, "Afro-American": III. Humor (Animato)	William Grant Still, Fort Smith Symphony, John Jeter	A♭ Major	2	4B	127 BPM
Romeo and Juliet, Op. 64 - Act 1: Romeo	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	C Major	0	8B	132 BPM
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto	Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner	E Major	1	12B	137 BPM
Suite No. 2, Op. 80: V. Ciaccona. Allegro	Benjamin Britten, Jean-Guihen Queyras	G Major	1	9B	87 BPM

ISRC: FRZ149513070
Label: L-M Records/RCA Records

Section: 0.749028205871582

End: 0.7539887428283691