"Francesca da Rimini, Op. 4, Act II, Scene 9: La botte! La botte! (Gianciotto, Chorus)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Chor der Volksoper Wien, Philippe Roillon, Kammerchor Sofia was released on 1994. With Francesca da Rimini, Op. 4, Act II, Scene 9: La botte! La botte! (Gianciotto, Chorus) being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #24 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Based on our statistics, Francesca da Rimini, Op. 4, Act II, Scene 9: La botte! La botte! (Gianciotto, Chorus)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act II, Scene 9: La botte! La botte! (Gianciotto, Chorus) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Chor der Volksoper Wien, Philippe Roillon, Kammerchor Sofia has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Francesca da Rimini, Op. 4, Act II, Scene 9: La botte! La botte! (Gianciotto, Chorus) being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spring Symphony, Op. 44, Part I: The Driving Boy (soprano, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | D Major | 2 | 10B | 148 BPM | ||
Caro Nome - Live | André Rieu, Johann Strauss Orchestra, Micaëla Oeste | C Major | 10 | 8B | 127 BPM | ||
Puccini: Turandot, Act 1: "Silenzio, olà! Laggiù chi parla?" (Ancelle, Ping, Pang, Pong, Calaf) | Giacomo Puccini, Franco Corelli, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | A♭ Major | 2 | 4B | 90 BPM | ||
Francesca da Rimini, Op. 4, Act I: Questi giullari et uomini di corte | Riccardo Zandonai, Levente Molnár, Aaron Judisch, Philharmonisches Orchester Freiburg, Fabrice Bollon | A♭ Major | 2 | 4B | 87 BPM | ||
Puccini: Turandot, Act 1: "Ah! per i/ultima volta!" (Timur, Liù, Ministers, Calaf, Chorus) | Giacomo Puccini, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Elisabeth Schwarzkopf, Elisabetta Frusco, Eugenio Fernandi, Orchestra Del Teatro Alla Scala, Milano, Pinuccia Perotti, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio" (Lucia, Alisa) | Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester | F♯ Major | 1 | 2B | 77 BPM | ||
Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe) | Ruggero Leoncavallo, Tullio Serafin, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 3 | 6B | 75 BPM | ||
Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act I: Bimba dagli occhi pieni ci malia | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | A Major | 1 | 11B | 89 BPM | ||
Carmen / Act 1: Votre mère avec moi sortait de la chapelle | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 129 BPM |
Section: 0.678734302520752
End: 0.6867585182189941