"Tapas (Arr. M. Mellits & D. Espinoza for Saxophone Quartet): V. —" by Marc Mellits, Fukio Ensemble was released on October 21, 2022. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Transcend". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Tapas (Arr. M. Mellits & D. Espinoza for Saxophone Quartet): V. —'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tapas (Arr. M. Mellits & D. Espinoza for Saxophone Quartet): V. — by Marc Mellits, Fukio Ensemble having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swan | Masami Takeuchi | G Major | 0 | 9B | 70 BPM | ||
Romance | Ralph Vaughan Williams, Jordan Bak, Richard Uttley | C Minor | 1 | 5A | 79 BPM | ||
Tristan und Isolde, WWV 90: IV, Herr Tristan trete nah (Isolde) - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Plöner Musiktag: Abendkonzert: II. Flötensolo mit Streichern for Flute and Strings | Paul Hindemith, Stathis Karapanos, Schleswig-Holstein Festival Orchestra, Christoph Eschenbach | F Minor | 0 | 4A | 75 BPM | ||
Exit | Marc Mellits, Astrus Duo | D♭ Major | 1 | 3B | 110 BPM | ||
String Quartet No. 4 "Prometheus": V. Andantino | Marc Mellits, Quatuor Debussy | D Major | 1 | 10B | 81 BPM | ||
Resident Evil and the Dum Dum Horn Hallway | Manic Clump | G Minor | 0 | 6A | 99 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prelude - Arr. for Marimba | Johann Sebastian Bach, Kuniko | F♯ Major | 1 | 2B | 63 BPM | ||
Luminara's Melody | Astraluna | E♭ Major | 1 | 5B | 85 BPM | ||
Saxophone Concerto, Op. 59 "Cyber-bird": III. Bird in the Wind | Takashi Yoshimatsu, Sachio Fujioka, BBC Philharmonic, Nobuya Sugawa | G Minor | 2 | 6A | 139 BPM |
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