"Cello Suite No. 1 in G Major, BWV 1007: I. Prelude - Arr. for Marimba" by Johann Sebastian Bach, Kuniko was released on June 23, 2017. The duration of Cello Suite No. 1 in G Major, BWV 1007: I. Prelude - Arr. for Marimba is about 3 minutes long, at 3:19. Based on our data, "Cello Suite No. 1 in G Major, BWV 1007: I. Prelude - Arr. for Marimba" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Kuniko's "J.S. Bach: Solo Works for Marimba" album is number 2 out of 33. On top of that, United Kingdom appears to be the country where this track was created. Cello Suite No. 1 in G Major, BWV 1007: I. Prelude - Arr. for Marimba is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Suite No. 1 in G Major, BWV 1007: I. Prelude - Arr. for Marimba by Johann Sebastian Bach, Kuniko to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 5, Etude | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
The Journey to the Top of the Hill | Teemu Halmkrona, Hanna Tissari | C Major | 0 | 8B | 76 BPM | ||
3 Pieces: II. Jade | Pierre-Octave Ferroud, Emmanuel Pahud | D Minor | 0 | 7A | 92 BPM | ||
Four Dirges, Sz. 45, Op. 9a: 1. Adagio | Béla Bartók, Alexei Lubimov | E Major | 0 | 12B | 0 BPM | ||
Pastorale for Violin, Oboe, English Horn, Clarinet and Bassoon | Igor Stravinsky, Isabelle Faust, Les Siècles | F♯ Major | 0 | 2B | 176 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Venus, the Bringer of Peace (From The Planets, Op. 32) - Arr. For Trombone & Organ | Gustav Holst, Peter Steiner, Constanze Hochwartner | C Major | 1 | 8B | 89 BPM | ||
Vers la source dans le bois (Towards the Fountain in the Wood) | Marcel Tournier, Judy Loman | E Major | 1 | 12B | 82 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM |
Section: 0.5927426815032959
End: 0.6020894050598145