- BPM
- 140
- Key
- A Major
- Camelot
- 11B
Bist du bei mir, BWV 508 - Johann Sebastian Bach, Elly Ameling Information
- Acousticness
- 99%
- Danceability
- 38%
- Energy
- 5%
- Instrumentalness
- 93%
- Liveness
- 10%
- Loudness
- 59%
- Speechiness
- 6%
- Valence
- 7%
- Popularity
- 1%
- Loudness
- -24.321 dB
Summary
"Bist du bei mir, BWV 508" by Johann Sebastian Bach, Elly Ameling had its release date on June 16, 1995. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Bist du bei mir, BWV 508's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 65 in Elly Ameling Edition by Elly Ameling. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Bist du bei mir, BWV 508's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Bist du bei mir, BWV 508 BPM
The tempo marking of Bist du bei mir, BWV 508 by Johann Sebastian Bach, Elly Ameling is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
Bist du bei mir, BWV 508 Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Matthäus-Passion, BWV 244, Pt. 2: No. 46, Chorale. "Wie wunderbarlich ist doch diese Strafe!" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | A♭ Major | 1 | 4B | 74 BPM | |
 | Bach, JS: Piano Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, Andrei Gavrilov, John Constable, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 97 BPM | |
 | Symphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto I | Luigi Boccherini, Per Egland, Christian Lindberg, MIN Ensemble | C Minor | 1 | 5A | 97 BPM | |
 | Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | |
 | Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | |
 | Keyboard Suite No. 2 (Set I) in F Major, HWV 427: I. Adagio | George Frideric Handel, Philip Edward Fisher | D Minor | 0 | 7A | 72 BPM | |
 | Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | |
 | Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | |
 | 3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | |
 | Bach, JS: Concerto for Four Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, Jean-Pierre Wallez, Bruno Rigutto, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | B Minor | 1 | 10A | 66 BPM |
- ISRC
- DEE476600132
- Label
- L-M Records/RCA Records