"Arianne et Bacchus: Simphonie du sommeil" by Marin Marais, Il Suonar Parlante Orchestra, Vittorio Ghielmi was released on April 10, 2020. The duration of Arianne et Bacchus: Simphonie du sommeil is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Arianne et Bacchus: Simphonie du sommeil's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Luca Pianca, Il Suonar Parlante Orchestra, Vittorio Ghielmi's "Le secret de Monsieur Marais" album is number 19 out of 21. On top of that, France appears to be the country where this track was created. In terms of popularity, Arianne et Bacchus: Simphonie du sommeil is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Arianne et Bacchus: Simphonie du sommeil by Marin Marais, Il Suonar Parlante Orchestra, Vittorio Ghielmi to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | ||
La Sonnerie de Sainte Geneviève du Mont de Paris | Marin Marais, Trio Sonnerie | A♭ Major | 0 | 4B | 69 BPM | ||
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM | ||
[Suite en la majeur]: X. Fantaisie (No. 27) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 3 | 4B | 73 BPM | ||
Flute Concerto No. 2 in C Minor: I. Prelude - Lentement | Michel Pignolet de Montéclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D♭ Major | 0 | 3B | 79 BPM | ||
Ancor che col partire (Arr. The Dowland Project, Potter) | Cipriano de Rore, The Dowland Project | A Minor | 1 | 8A | 111 BPM | ||
Marais: Pièces de viole, Livre IV, Suite d'un goût étranger: La Rêveuse | Marin Marais, Jean Rondeau, Myriam Rignol | E Minor | 0 | 9A | 47 BPM | ||
Trio Sonata in A Minor, BuxWV 272 | Dietrich Buxtehude, Ensemble Masques, Sophie Gent, Mélissande Corriveau, Olivier Fortin | A Minor | 2 | 8A | 171 BPM | ||
Passepieds de Bretaigne | Pierre Francisque Carroubel, Le Poème Harmonique, Vincent Dumestre | A Minor | 2 | 8A | 128 BPM |
Section: 0.5384790897369385
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