- BPM
- 64
- Key
- D♭ Major
- Camelot
- 3B
Clarinet Concerto No. 3 - Carl Stamitz, John Reynolds, Rachel Attwell-Ramos Information
- Acousticness
- 100%
- Danceability
- 36%
- Energy
- 14%
- Instrumentalness
- 92%
- Liveness
- 15%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 15%
- Popularity
- 0%
- Loudness
- -22.383 dB
Summary
"Clarinet Concerto No. 3" by Carl Stamitz, John Reynolds, Rachel Attwell-Ramos was released on 2013. The duration of Clarinet Concerto No. 3 is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Clarinet Concerto No. 3's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 50 in Clarinet Exam Pieces 2014 - 2017, ABRSM Grade 5 by John Reynolds, Rachel Attwell-Ramos. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Clarinet Concerto No. 3 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Clarinet Concerto No. 3 BPM
The tempo marking of Clarinet Concerto No. 3 by Carl Stamitz, John Reynolds, Rachel Attwell-Ramos is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Clarinet Concerto No. 3 Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 12 Fantaisies: No. 10 in D Major, TWV 40:23: Fantasie No. 10 in D Major, TWV 40:23 | Georg Philipp Telemann, Augustin Hadelich | B♭ Major | 3 | 6B | 128 BPM | |
 | String Quartet No. 12 in F Major, Op. 96 'The American': IV. Vivace | Antonín Dvořák, Škampa Quartet | C Major | 1 | 8B | 78 BPM | |
 | Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | |
 | Viola Concerto in B-Flat Major: III. Rondo: Allegro | Franz Anton Hoffmeister, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | B♭ Major | 1 | 6B | 79 BPM | |
 | Saint-Saëns: Tarentelle, Op. 6 | Camille Saint-Saëns, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | A Minor | 1 | 8A | 75 BPM | |
 | Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | |
 | Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato | George Frideric Handel, Akademie für Alte Musik Berlin | A Major | 0 | 11B | 35 BPM | |
 | Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | |
 | Viola Concerto No. 1 in D Major: III. Rondeau | Carl Stamitz, Hariolf Schlichtig, Munich Chamber Orchestra | D Major | 1 | 10B | 98 BPM | |
 | String Quartet No. 53 in D Major, Op. 64, No. 5, Hob.III:63, "The Lark": II. Adagio - Cantabile | Franz Joseph Haydn, Kodály Quartet | A Major | 1 | 11B | 83 BPM |
- ISRC
- GBEYQ1328910
- Label
- L-M Records/RCA Records
Section: 0.7398111820220947
End: 0.7444953918457031