"Don Carlos, Act I: Act I Scene 1: Dio, che nell'alma infondere (Don Carlo, Rodrigo, Un frate, Chorus)" by Giuseppe Verdi, José Carreras, Piero Cappuccilli, Luigi Roni, Vienna State Opera Chorus, Vienna State Opera Orchestra, Herbert von Karajan was released on January 1, 2016. With this song being about 5 minutes long, at 5:14, "Don Carlos, Act I: Act I Scene 1: Dio, che nell'alma infondere (Don Carlo, Rodrigo, Un frate, Chorus)" by Giuseppe Verdi, José Carreras, Piero Cappuccilli, Luigi Roni, Vienna State Opera Chorus, Vienna State Opera Orchestra, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: Don Carlos by Giuseppe Verdi, Mirella Freni, José Carreras, Ruggero Raimondi, Vienna State Opera Orchestra, Herbert von Karajan. The song's track number on the album is #4 out of 32 tracks. Based on our data, Germany was the country where this track was produced or recorded. Don Carlos, Act I: Act I Scene 1: Dio, che nell'alma infondere (Don Carlo, Rodrigo, Un frate, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Don Carlos, Act I: Act I Scene 1: Dio, che nell'alma infondere (Don Carlo, Rodrigo, Un frate, Chorus) by Giuseppe Verdi, José Carreras, Piero Cappuccilli, Luigi Roni, Vienna State Opera Chorus, Vienna State Opera Orchestra, Herbert von Karajan has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Don Carlos, Act I: Act I Scene 1: Dio, che nell'alma infondere (Don Carlo, Rodrigo, Un frate, Chorus) being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM | ||
Un Bel Di Vedremo (Madame Butterfly) | Renata Tebaldi, Orchestre de la Suisse Romande | D♭ Major | 2 | 3B | 93 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Largo al factotum" (Figaro) | Gioachino Rossini, Alceo Galliera, Tito Gobbi, Philharmonia Orchestra | G Major | 2 | 9B | 67 BPM | ||
La Favorita / Act 4: Spirto gentil, de' sogni miei | Gaetano Donizetti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | C Major | 2 | 8B | 66 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Tannhäuser, WWV 70 - Paris version / Act 3: "Beglückt darf nun dich, o Heimat" (Pilgrims Chorus) | Richard Wagner, Helga Dernesch, Victor Braun, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 1 | 5B | 80 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
La Traviata / Act 2: "Dammi tu forza, o cielo!" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Bavarian State Orchestra, Carlos Kleiber | G Minor | 0 | 6A | 124 BPM |
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