"Variations on a Nursery Song, Op. 25: Var. 6, Ancora più mosso" by Ernst von Dohnányi, Sofja Gülbadamova, Deutsche Staatsphilharmonie Rheinland-Pfalz, Modestas Pitrenas had its release date on February 4, 2022. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 8 out of 20 in Dohnányi: Concertos by Ernst von Dohnányi, Sofja Gülbadamova, Deutsche Staatsphilharmonie Rheinland-Pfalz, Modestas Pitrenas. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Variations on a Nursery Song, Op. 25: Var. 6, Ancora più mosso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on a Nursery Song, Op. 25: Var. 6, Ancora più mosso by Ernst von Dohnányi, Sofja Gülbadamova, Deutsche Staatsphilharmonie Rheinland-Pfalz, Modestas Pitrenas is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Theme by Haydn in B-Flat Major, Op. 56a: VII. Grazioso | Johannes Brahms, Sir Charles Mackerras, Scottish Chamber Orchestra | E Minor | 0 | 9A | 101 BPM | ||
Deux arabesques, L. 74 (Arr. For Cello And Piano By Olivier Hébert-Bouchard): Arabesque No. 1 In E Minor: Andantino con moto | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A Major | 2 | 11B | 99 BPM | ||
Medley (From "Cinema Paradiso") | Yoko Ara, Takehiko Yamada | D Major | 1 | 10B | 39 BPM | ||
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Dumka, Op. 59, TH 145 "Russian Rustic Scene" | Pyotr Ilyich Tchaikovsky, Elena Dorozhkina | C Minor | 0 | 5A | 76 BPM | ||
12 Etudes d'execution transcendante, Op. 11: No. 1 Lullaby | Sergei Lyapunov, Konstantin Scherbakov | F♯ Major | 0 | 2B | 90 BPM | ||
12 Etudes, Op. 8: No. 1 in C-Sharp Major | Alexander Scriabin, Daniela Roma | D♭ Major | 1 | 3B | 146 BPM | ||
Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam | Erich Wolfgang Korngold, Spectrum Concerts Berlin, Boris Brovtsyn, Clara Jumi Kang, Torleif Thedéen, Eldar Nebolsin | D♭ Major | 0 | 3B | 87 BPM | ||
Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM | ||
Hymne à l'amour (Arr. for Piano by Roberto Piana) | Marguerite Monnot, Carlos Manuel Vargas | E Minor | 1 | 9A | 41 BPM |