Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag made "Oboe Concerto in C Major: I. Introduzione - attacca (Arr. by Benjamin)" available on February 5, 2021. The duration of Oboe Concerto in C Major: I. Introduzione - attacca (Arr. by Benjamin) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Oboe Concerto in C Major: I. Introduzione - attacca (Arr. by Benjamin)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Oboe Concertos (The Peter Maag Edition - Volume 15)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Oboe Concerto in C Major: I. Introduzione - attacca (Arr. by Benjamin) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Oboe Concerto in C Major: I. Introduzione - attacca (Arr. by Benjamin) by Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Giannina e Bernardone, Act I Scene 12: Poveretta! Sventurata | Domenico Cimarosa, Simone Perugini, Tuscan Opera Academy Orchestra, Laura Valdarnini, Andrew Wright | F Major | 2 | 7B | 118 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Sonata, C. 14: (Without Tempo Indication) | Domenico Cimarosa, Claudio Giuliani | A Minor | 1 | 8A | 61 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Slavonic Dance No. 2 in E minor, Op. 72 | Boston Symphony Orchestra, Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | E Minor | 1 | 9A | 70 BPM | ||
Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM | ||
Concerto for Oboe and Orchestra in One Movement, Op. 45 | Eugene Goossens, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | F Major | 1 | 7B | 66 BPM | ||
Orpheus' Klage (Orfeo ed Euridice) | Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio | D Minor | 0 | 7A | 69 BPM |
Section: 0.8016424179077148
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