Andrés Segovia, Alberto La Rocca's 'Veintitrés canciones populares de distintos países: XVI. Sueca' came out on October 1, 2016. With Veintitrés canciones populares de distintos países: XVI. Sueca being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Segovia: Guitar Music". In this album, this song's track order is #37. Based on our statistics, Veintitrés canciones populares de distintos países: XVI. Sueca's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Veintitrés canciones populares de distintos países: XVI. Sueca by Andrés Segovia, Alberto La Rocca having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: III. Courante | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 83 BPM | ||
El decameron negro: Balada de la doncella enamorada | Leo Brouwer, Elena Papandreou | B Minor | 0 | 10A | 136 BPM | ||
The Girl With The Flaxen Hair | Marshall (Arr.), Claude Debussy, Christopher Parkening | E Minor | 0 | 9A | 87 BPM | ||
24 Preludes, Op. 28: No. 6 in B Minor (Arr. M. Llobet Soles for Guitar) | Frédéric Chopin, Stefano Grondona | C Major | 2 | 8B | 155 BPM | ||
Segovia, Op.29 | Albert Roussel, Andrés Segovia | A Major | 2 | 11B | 159 BPM | ||
Serie Americana: Choro | Hector Ayala, Victor Villadangos | E Minor | 0 | 9A | 140 BPM | ||
Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | E Minor | 0 | 9A | 137 BPM | ||
Castillos de Espana II: No. 3. Alcaniz | Federico Moreno Torroba, Ana Vidovic | E Major | 2 | 12B | 100 BPM | ||
Suite espanola No. 1, Op. 47: No. 5. Asturias (arr. A. Segovia) | Andrés Segovia, Isaac Albéniz | G Major | 3 | 9B | 115 BPM | ||
Songe Capricorne | Roland Dyens, Elena Papandreou | B Minor | 0 | 10A | 81 BPM |
Section: 0.6124701499938965
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