Andrés Segovia, Isaac Albéniz's 'Suite espanola No. 1, Op. 47: No. 5. Asturias (arr. A. Segovia)' came out on 1954. Suite espanola No. 1, Op. 47: No. 5. Asturias (arr. A. Segovia) is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. There are a total of 32 in the song's album "The Golden Years of Andres Segovia (1952-1954)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Suite espanola No. 1, Op. 47: No. 5. Asturias (arr. A. Segovia) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite espanola No. 1, Op. 47: No. 5. Asturias (arr. A. Segovia) by Andrés Segovia, Isaac Albéniz having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Libra Sonatine: I. India | Roland Dyens, Elena Papandreou | G Major | 1 | 9B | 94 BPM | ||
Malagueña | Giulio Tampalini, Juan Lorenzo | C Major | 2 | 8B | 99 BPM | ||
La cumparsita: La Cumparsita | Gerardo Matos Rodriguez, Georg Gulyas | E Minor | 1 | 9A | 130 BPM | ||
Preludios Epigramaticos: No. 1 | Leo Brouwer, Elena Papandreou | G Major | 0 | 9B | 116 BPM | ||
Schwanengesang, D. 957: No. 4. Standchen (Leise flehen meine Lieder) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | A Major | 0 | 11B | 108 BPM | ||
Grand Sonata in A Major, MS 3: I. Allegro risoluto | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
16 Waltzes, Op. 39: No. 8 in B-Flat Major (Arr. A. Segovia) | Johannes Brahms, Andrés Segovia | E Major | 1 | 12B | 85 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Rumores de la Caleta | Isaac Albéniz, David Russell | D Minor | 5 | 7A | 120 BPM | ||
Cantabile in D Major, Op. 17, MS 109 | Niccolò Paganini, John Williams, Itzhak Perlman | D Major | 2 | 10B | 187 BPM |
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