Ludwig Senfl, Amarcord's 'Ach Elslein, liebes Elselein' came out on 2006. The duration of Ach Elslein, liebes Elselein is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Ach Elslein, liebes Elselein's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "The Book of Madrigals". In this album, this song's track order is #6. Ach Elslein, liebes Elselein is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ach Elslein, liebes Elselein by Ludwig Senfl, Amarcord having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM | ||
In nomine Iesu: Adoramus te | Loyset Compère, Odhecaton, Paolo da Col | C Major | 1 | 8B | 70 BPM | ||
Spiritus sanctus in te descendet | Ludwig Senfl, Singer Pur | A Minor | 1 | 8A | 104 BPM | ||
Symphoniæ Sacræ II, Op. 10, SWV 341-367: Was betrübst du dich, SWV 353 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias | G Minor | 2 | 6A | 117 BPM | ||
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
Te deum, LWV 55: IX. Quos pretioso sanguine redemisti | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Missa Salve Diva Parens: I. Kyrie I | Jakob Obrecht, The Sound and the Fury | E Minor | 3 | 9A | 75 BPM | ||
Saltarello detto Trivella | Orazio Vecchi, Paul O'Dette, The King's Noyse, David Douglass | D Minor | 0 | 7A | 63 BPM | ||
Quatre petites prières de Saint-François d'Assise, FP 142: II. Tout puissant | Francis Poulenc, Tenebrae, Nigel Short | G Major | 0 | 9B | 68 BPM | ||
Guerrero: Dixit Dominus Petro | A5 Vocal Ensemble, Francisco Guerrero | B Major | 1 | 1B | 65 BPM |
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