"7 Fantasies, Op. 116: VI. Intermezzo in E Major" by Johannes Brahms, Denis Kozhukhin was released on February 1, 2017. The duration of 7 Fantasies, Op. 116: VI. Intermezzo in E Major is about 3 minutes long, at 3:01. Based on our data, "7 Fantasies, Op. 116: VI. Intermezzo in E Major" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 12 in Brahms: Ballades & Fantasies by Johannes Brahms, Denis Kozhukhin. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. 7 Fantasies, Op. 116: VI. Intermezzo in E Major is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 Fantasies, Op. 116: VI. Intermezzo in E Major by Johannes Brahms, Denis Kozhukhin is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | C Major | 1 | 8B | 131 BPM | ||
18 Études, Op. 109: No. 13, L'orage | Franz Burgmüller, Carl Petersson | D Minor | 1 | 7A | 85 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
6 Roumanian Folk Dances, BB 68, Sz. 56: 3. In One Spot | Béla Bartók, Zoltán Kocsis | B Minor | 0 | 10A | 97 BPM | ||
24 Preludes For Piano, Op.11: No. 11 In B | Alexander Scriabin, Yuja Wang | B Major | 0 | 1B | 67 BPM |
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