Le Gendarme Incompris - Comédie-bouffe en une acte mêlée de chants: Duo - "Dans quel piège suis-je tombée"
Francis Poulenc, Dominique Visse, Francois Le Roux, Soloistes De L'Orchestre National De France, Charles Dutoit
Poulenc: Le bal masqué/Chamber Works
1:15 January 1, 1996
BPM
138
Key
A Minor
Camelot
8A

Embed

Share Link

Le Gendarme Incompris - Comédie-bouffe en une acte mêlée de chants: Duo - "Dans quel piège suis-je tombée" - Francis Poulenc, Dominique Visse, Francois Le Roux, Soloistes De L'Orchestre National De France, Charles Dutoit Information

Acousticness
99%
Danceability
48%
Energy
29%
Instrumentalness
66%
Liveness
22%
Loudness
64%
Speechiness
7%
Valence
61%
Popularity
Loudness
-21.675 dB

Summary

Francis Poulenc, Dominique Visse, Francois Le Roux, Soloistes De L'Orchestre National De France, Charles Dutoit made "Le Gendarme Incompris - Comédie-bouffe en une acte mêlée de chants: Duo - "Dans quel piège suis-je tombée"" available on January 1, 1996. With Le Gendarme Incompris - Comédie-bouffe en une acte mêlée de chants: Duo - "Dans quel piège suis-je tombée" being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Poulenc: Le bal masqué/Chamber Works". In this album, this song's track order is #30. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Le Gendarme Incompris - Comédie-bouffe en une acte mêlée de chants: Duo - "Dans quel piège suis-je tombée"'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Le Gendarme Incompris - Comédie-bouffe en une acte mêlée de chants: Duo - "Dans quel piège suis-je tombée" BPM

With Le Gendarme Incompris - Comédie-bouffe en une acte mêlée de chants: Duo - "Dans quel piège suis-je tombée" by Francis Poulenc, Dominique Visse, Francois Le Roux, Soloistes De L'Orchestre National De France, Charles Dutoit having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Le Gendarme Incompris - Comédie-bouffe en une acte mêlée de chants: Duo - "Dans quel piège suis-je tombée" Key

A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) by Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut HöllWinterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl)Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut HöllA Major011B119 BPM
Consolation No. 3 in D-Flat Major, S. 172/3 by Franz Liszt, Vladimir HorowitzConsolation No. 3 in D-Flat Major, S. 172/3Franz Liszt, Vladimir HorowitzD♭ Major03B70 BPM
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods by Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony OrchestraDvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent WoodsAntonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony OrchestraD♭ Major13B95 BPM
Visions Fugitives, Op. 22: XIV. Feroce by Eteri Andjaparidze, Sergei ProkofievVisions Fugitives, Op. 22: XIV. FeroceEteri Andjaparidze, Sergei ProkofievD Major210B80 BPM
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - by Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoPiano Concerto No. 1 in C Minor, Op. 35: III. Moderato -Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoA♭ Major14B149 BPM
3 Romances, Op. 11: I. Andante by Clara Schumann, Yoshiko Iwai3 Romances, Op. 11: I. AndanteClara Schumann, Yoshiko IwaiE♭ Minor02A106 BPM
Les biches Suite, FP 36b: I. Rondeau by Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc TingaudLes biches Suite, FP 36b: I. RondeauFrancis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc TingaudC Major18B79 BPM
Massenet: Mélodie-Elégie, Op. 10 No. 5 from Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes"Jules Massenet, Edgar Moreau, Pierre-Yves HodiqueE Minor09A73 BPM
Mendelssohn: 6 Lieder, Op. 9: No. 6 Die Mainacht by Fanny Mendelssohn, Emmanuel Pahud, Eric Le SageMendelssohn: 6 Lieder, Op. 9: No. 6 Die MainachtFanny Mendelssohn, Emmanuel Pahud, Eric Le SageD♭ Minor112A72 BPM
Rhapsody on a Theme of Paganini, Op. 43: Variation 12. Tempo di menuetto by Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily SinaiskyRhapsody on a Theme of Paganini, Op. 43: Variation 12. Tempo di menuettoSergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily SinaiskyD Minor07A79 BPM
ISRC
GBF079542130
Label
L-M Records/RCA Records

Section: 0.6856832504272461

End: 0.6900241374969482