The Scholars Baroque Ensemble, John Dryden, Henry Purcell made "The Indian Queen, Z. 630 : Act III - Duet (Aerial Spirits): Ah! How Happy We Are" available on January 1, 1998. The duration of The Indian Queen, Z. 630 : Act III - Duet (Aerial Spirits): Ah! How Happy We Are is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. The Indian Queen, Z. 630 : Act III - Duet (Aerial Spirits): Ah! How Happy We Are's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Purcell: The Indian Queen". In this album, this song's track order is #25. The popularity of The Indian Queen, Z. 630 : Act III - Duet (Aerial Spirits): Ah! How Happy We Are is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With The Indian Queen, Z. 630 : Act III - Duet (Aerial Spirits): Ah! How Happy We Are by The Scholars Baroque Ensemble, John Dryden, Henry Purcell having a BPM of 196 with a half-time of 98 BPM and a double-time of 392 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in D Minor, QV 5:81: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 137 BPM | ||
Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Ruht wohl, ihr heiligen Gebeine (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 132 BPM | ||
Nisi Dominus, HWV 238: Beatus vir | George Frideric Handel, The Scholars Baroque Ensemble | G Major | 0 | 9B | 97 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: II. Largo | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Pieces de clavecin, Book 1: I. L'Aimable: Gracieux | Joseph-Nicolas-Pancrace Royer, Annamari Polho | F♯ Minor | 2 | 11A | 98 BPM | ||
Magnificat en sol mineur, RV 610: I. Magnificat | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D♭ Major | 3 | 3B | 114 BPM | ||
Vivaldi: Gloria in D Major, RV 589: VI. Domine Deus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Stephen Cleobury | B Major | 1 | 1B | 175 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM |
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