- BPM
- 108
- Key
- C Minor
- Camelot
- 5A
Faust - opera in five acts (1989 Digital Remaster), Act II: Le veau d'or est toujours debout! (Méphistophélès/Choeur) - André Cluytens, Ernest Blanc, Choeurs et Orchestre de l'Opéra National de Paris, Victoria de los Ángeles, Nicolai Gedda, Victor Autran, Liliane Berton, Rita Gorr, Boris Christoff Information
- Acousticness
- 98%
- Danceability
- 51%
- Energy
- 35%
- Instrumentalness
- 0%
- Liveness
- 58%
- Loudness
- 77%
- Speechiness
- 18%
- Valence
- 60%
- Popularity
- 3%
- Loudness
- -13.689 dB
Summary
André Cluytens, Ernest Blanc, Choeurs et Orchestre de l'Opéra National de Paris, Victoria de los Ángeles, Nicolai Gedda, Victor Autran, Liliane Berton, Rita Gorr, Boris Christoff made "Faust - opera in five acts (1989 Digital Remaster), Act II: Le veau d'or est toujours debout! (Méphistophélès/Choeur)" available on 2004. The duration of Faust - opera in five acts (1989 Digital Remaster), Act II: Le veau d'or est toujours debout! (Méphistophélès/Choeur) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Faust - opera in five acts (1989 Digital Remaster), Act II: Le veau d'or est toujours debout! (Méphistophélès/Choeur)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Opera Classics, so we believe that "Faust - opera in five acts (1989 Digital Remaster), Act II: Le veau d'or est toujours debout! (Méphistophélès/Choeur)" is a single. In terms of popularity, Faust - opera in five acts (1989 Digital Remaster), Act II: Le veau d'or est toujours debout! (Méphistophélès/Choeur) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Faust - opera in five acts (1989 Digital Remaster), Act II: Le veau d'or est toujours debout! (Méphistophélès/Choeur) BPM
The tempo marking of Faust - opera in five acts (1989 Digital Remaster), Act II: Le veau d'or est toujours debout! (Méphistophélès/Choeur) by André Cluytens, Ernest Blanc, Choeurs et Orchestre de l'Opéra National de Paris, Victoria de los Ángeles, Nicolai Gedda, Victor Autran, Liliane Berton, Rita Gorr, Boris Christoff is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Faust - opera in five acts (1989 Digital Remaster), Act II: Le veau d'or est toujours debout! (Méphistophélès/Choeur) Key
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | |
 | Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | |
 | Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (d) "Viens! … Je la reverrai?" (Méphistophélès, Faust) | Charles Gounod, Boris Christoff/Nicolai Gedda/Orchestre de l'Opéra National de Paris/André Cluytens, André Cluytens, Orchestre du Théâtre National de l'Opéra Paris | C Major | 3 | 8B | 84 BPM | |
 | Symphony No.2 In D, Op.73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 83 BPM | |
 | Noches en los Jardines de España, G. 49: 1. En el Generalife | Manuel de Falla, National Orchestra of Spain, Ataúlfo Argenta | A♭ Major | 3 | 4B | 79 BPM | |
| Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (b) "Je veux un trésor qui les contient tous! … A moi les plaisirs" (Méphistophélès, Faust) | Charles Gounod, Boris Christoff/Nicolai Gedda/Orchestre de l'Opéra National de Paris/André Cluytens, André Cluytens, Orchestre du Théâtre National de l'Opéra Paris | C Major | 3 | 8B | 84 BPM | |
 | Rossini: Stabat Mater: I. Stabat Mater dolorosa (Soprano, Mezzo-soprano, Tenor, Bass, Chorus) | Gioachino Rossini, Anna Netrebko, Joyce DiDonato, Lawrence Brownlee, Ildebrando D'Arcangelo, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 139 BPM | |
 | Die Reise um die Erde in 80 Tagen (Version Without Narration): Prelude | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 0 | 7B | 144 BPM | |
 | Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | |
 | 4 Norwegian Dances, Op. 35: No. 3 in G-Major: Allegro moderato alla Marcia | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7565765380859375
End: 0.7613584995269775