"La Gamme en forme de petit opéra: III. Mi" by Marin Marais, Les Timbres, Yoko Kawakubo, Myriam Rignol, Julien Wolfs was released on 2020. The duration of La Gamme en forme de petit opéra: III. Mi is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. La Gamme en forme de petit opéra: III. Mi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Les Timbres, Myriam Rignol, Yoko Kawakubo, Julien Wolfs's "Marais: La gamme" album is number 3 out of 23. On top of that, France appears to be the country where this track was created. Based on our statistics, La Gamme en forme de petit opéra: III. Mi's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Gamme en forme de petit opéra: III. Mi by Marin Marais, Les Timbres, Yoko Kawakubo, Myriam Rignol, Julien Wolfs to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Magnificat en sol mineur, RV 610: I. Magnificat | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D♭ Major | 3 | 3B | 114 BPM | ||
Les Sauvages (Pièces de clavecin, 1728 - Les Indes Galantes) | Jean-Philippe Rameau, Pierre Hantaï, Skip Sempé | A Minor | 1 | 8A | 116 BPM | ||
Fantaisie en Mi mineur (Arrangement Jordi Savall d'après Mr. de Sainte Colombe le fils) | Monsieur de Sainte-Colombe, Jordi Savall | E♭ Minor | 0 | 2A | 61 BPM | ||
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | ||
Planctus Caravaggio I (Jordi Savall) | Sergi Casademunt, Fahmi Alqhai, Riccardo Minasi, Jordi Savall, F. Heumann, Andrew Lawrence-King, Luca Guglielmi, Xavier Puertas | G Minor | 0 | 6A | 171 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM |
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