"Suite No. 3 for Solo Cello, Op. 87: IX. Passacaglia (Lento solenne)" by Benjamin Britten, Torleif Thedéen was released on January 17, 2020. Since Suite No. 3 for Solo Cello, Op. 87: IX. Passacaglia (Lento solenne) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 26 out of 101 in Autumn Classics 101 by Various Artists. Suite No. 3 for Solo Cello, Op. 87: IX. Passacaglia (Lento solenne) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No. 3 for Solo Cello, Op. 87: IX. Passacaglia (Lento solenne) by Benjamin Britten, Torleif Thedéen is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Stücke im Volkston, Op. 102: 4. Nicht zu rasch | Robert Schumann, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 51 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM | ||
Come away, come away death, Op.18, No.1 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Minor | 1 | 9A | 109 BPM | ||
Symphony in C Major, Op. 46: I. Allegro moderato - | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | E Minor | 0 | 9A | 174 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
War Requiem, Op. 66: xvii. Offertorium - Hostias et preces tibi | Benjamin Britten, Gianandrea Noseda, Ian Bostridge, Simon Keenlyside, Choir of Eltham College, London Symphony Chorus, London Symphony Orchestra | A Major | 0 | 11B | 110 BPM |
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