Johann Friedrich Reichardt, Dietrich Fischer-Dieskau, Maria Graf's 'Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 9, Prometheus' came out on January 1, 2016. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Reichardt: Ausgewählte Lieder". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 9, Prometheus is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 9, Prometheus by Johann Friedrich Reichardt, Dietrich Fischer-Dieskau, Maria Graf having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elias, Op. 70: Part I: Denn er hat seinen Engeln befohlen (No. 7 Double Quartet) | Felix Mendelssohn, Karl-Friedrich Beringer | D Minor | 2 | 7A | 121 BPM | ||
Romanzen und Balladen, Book 4, Op. 146: No. 3. Der Traum | Robert Schumann, Marc Legros, Pieter Martens, Aquarius, Marc Michael de Smet | E Minor | 5 | 9A | 84 BPM | ||
シチリアーノ 変ホ長調 | 大江 光, アンサンブル・リュミエール | B♭ Major | 2 | 6B | 75 BPM | ||
Brahms : 7 Lieder Op.62 : III Waldesnacht | Johannes Brahms, Arnold Schoenberg Chor | D Minor | 2 | 7A | 76 BPM | ||
Wach auf, meins Herzens Schone | Johann Friedrich Reichardt, Dresdner Kreuzchor, Martin Flämig | E Major | 1 | 12B | 129 BPM | ||
Hajej, Nynej, Pepíčku Malej | Musica Bohemica | D Major | 1 | 10B | 142 BPM | ||
Irc 1: Shy One, IRC 1: Shy One | Rebecca Clarke, Sivan Goldman, Shira Shaked | F Major | 1 | 7B | 90 BPM | ||
Der Herr ist mein Hirt | Bernhard Klein, Taipei Male Choir, Frieder Bernius | A Major | 1 | 11B | 97 BPM | ||
Ave verum corpus in D Major, K. 618 | Wolfgang Amadeus Mozart, Kosice Teachers' Choir, Camerata Cassovia, Johannes Wildner | D Major | 1 | 10B | 123 BPM | ||
Lieder (Duette), Op. 63: I. Ich wollt, meine Liebe ergösse sich | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney | C Minor | 0 | 5A | 69 BPM |
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